The Five Stages of Writing

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Do you want to be a horror fiction writer? The 5 Stages of Writing

The Five Stages of Writing

There are five stages I take to get a fiction story from inside my head to a finished work, ready for publication. You may find you follow these or similar stages. It’s a way of organizing my work. When I follow this in stages I never get stuck on what to do next and I never have to do the same work twice (such as rechecking the grammar after I’ve made changes to the story).


STAGE 1 – Incubation period

I’ll have an incubation period where I take the idea of the story and add to it as new thoughts come into my head. I’ll write notes about different scenes, descriptions of the characters, possible endings, develop scenes that will demonstrate the conflict(s) in the story best. Sometimes I’ll collect pics and photos from the internet and add them to a file folder. I’ll look at these pics in order to influence my story or help with descriptions.

I like to have times where I’ll sit in silence and let my imagination go into the story. I see a scene play out in my head like a movie and take mental note of the setting, characters and pacing. I do this without stopping to write anything down. If I stop to write, it breaks up the flow of the scene. Once the scene has played out to the end, I’ll put it on paper.

I will do some research on items, settings, people, cultural beliefs, similar story ideas, myths and legends, and anything else that will pertain to the story. If there is a mythology or a previous ‘world building’ that is accepted by the general public, then you have to follow those guidelines in order to keep the story in a suspension of disbelief. You can add to the mythology, but the basic premise has to coincide with people’s beliefs. For instance, if you’re writing a story about Slenderman and you give a description of his face that is inconsistent than the accepted mythology (he has no face) the reader will not continue reading.

I’ll also determine if a story is developed enough to ensure I can write freely. Sometimes I’ll do this with an outline, sometimes with notes I’ve been taking and other times I’ll have it all in my head.

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STAGE 2 – Write it

I’ll often think of the opening line first. What that will be, will depend on how close to the major conflict you want to start the story. It’s best to start in some sort of action, either physical, mental or dramatic, in order to get the reader hooked. It’s also important to get the reader emotionally involved with your character early on.

I’ll try to write a little every day until the story is finished. I don’t usually try to follow a word count quota. That works well for many writers, but if I force myself to write on a day when my mind isn’t completely engaged by my own story, I wind up throwing what I’ve written that day in the trash. So, I’ll start with a paragraph and if I get that ‘flow’ going, that energy that many writers call their muse, I’ll continue writing for as long as the ideas are coming. I’ll also write no matter where I am. If an idea comes to me when I’m out, I’ll pull out my kindle, write my scene in an email and send it to my desktop computer. When I’m home I’ll copy and paste it into my storyline.

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STAGE 3 – Edit it – (aka: drafting)

This is done many times, creating many drafts. This stage involves getting the story into shape so a reader will understand and enjoy it. I will work on pacing, settings, character development and arcs, story arc, and understandability (is that a word?). I’ll check the continuity. I’ll add more story to places that may need it and remove aspects that do not add to the story. One piece of advice I always liked was, make believe Judge Judy is going to read it. Does everything make sense? Do all the characters have sufficient motives to engage them in action. Are there irrational thoughts, actions, or motivations that can’t be explained? Does everything line up to the conclusion of the story? In this step I will not delve heavily into grammar. This step is about the story as a whole, not the individual words and sentences.

Other steps in this stage is to make sure the story follows the same tense all the way through. Make sure the story has a clear POV. I’ll check to make sure I’m using Active Voice, not Passive Voice.

Passive voice / active voice
A passive voice puts a barrier between the reader and the character, never letting the reader to be fully immersed in the character’s world. It’s like the difference between reading a good fiction novel or reading a story in a text book. Historical accounts in text books are almost always passive voice. While both can tell the story, only one will allow the reader to feel the emotion, empathy and impact of the story.

Each time I save the story after a period of editing it’s called a draft. You start with a rough draft and keep working on it until the final draft (finished product). This can take months for some stories. I might complete 10 to 20 drafts for a 3k word short story. If you write a story, then only check the grammar and spelling, most likely the story is not ready to be published.

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STAGE 4 – Proofread it

This is the step where all the grammatical rules come into play. Word spellings, grammar, punctuation, verb/subject agreement, all that good stuff is checked during this stage. For very short stories I do all the proofreading myself. If the story is longer, I’ll send it to a proofreader and pay to have it done. It’s often difficult to proofread your own work because your mind sees what you want it to say, not what another reader will see. Using the spellcheck and grammar check in your Word or Writing programs is not good enough. It will not alert you to using the wrong words that sound alike, (homophones: there, their, they’re or where, wear), or having the wrong word in a sentence that is spelled right (such as ‘on’ instead of ‘one’).

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STAGE 5 – Format it

This is where I’ll set up the format of the story to get it ready for the editor’s review. It will have the proper spacing (either Shun formatting or editor’s specs), proper font and font size (I write in Arial, but most editors prefer Times New Roman or sometimes Georgia or Courier) and proper indents for new paragraphs. Do not use tabs to set indents as it will mess up formatting it to eBook. Use the paragraph format and set it to first line indent (usually+3 but check submission guidelines). At the top left you will have all your information, name address, phone, email, story name, word count, what book or zine issue you’re submitting to, the date, etc.

If you follow these 5 stages carefully, you will have a publish-ready story in your hands. Now to find a place for your creation. More advice on that in my next article.

slenderman old photo

 

Do you want to be a horror fiction writer? Terminology

I haven’t done a post like this in a while so I figured it was due. For my aspiring writers out there here’s some basic info for getting your work published.

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Do you want to be a horror fiction writer?
Getting published – Terminology

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Terminology – I thought it would be a good idea to review some of the terminology that is often part of the submissions page and instruction for publications for which you want to send a story. Some of this stuff is pretty basic but it is important to know for someone starting out.
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One of the big questions is what constitutes published/unpublished works.
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Unpublished – unpublished work is a story that has never appeared in a public forum anywhere. That includes in any book, magazine, webzine, on the internet, on your own blog, or on a forum even if it only got five hits. Some publishers/editors will make an exception for a story that was posted in a closed group, where you have to sign-in to read the stories and is there for the purpose of critique. Writers clubs, groups, and associations all fall into that category. The idea is the general public could not read it unless they are a part of that group and would have had to sign in. Also stories in these groups are usually not searchable in search engines. I will let the publisher/editor know if my story had been posted in a literary critique group and let them decide if they consider that published or not published.
Submission
Naturally, that is the story, poem or prose that you will send in (submit) to the publication.
Call for submissions
The publications call to writers to submit work based on their guidelines. It is usually posted on their websites, on listing pages such as Horrortree.com, Duotrope and on Facebook Open Call groups. There is often a reading window with a deadline.
Copyright
is the rights that you as a writer have upon creating your story and the right to let others (publications, websites, etc.) copy the material into their media presentations.
First English Language Rights
Many publications want First English Language Rights. That is, they want to be the first to offer the story to the public for reading in English. That means they want Unpublished work. They will often want an exclusive period where they won’t want you to have the story available anywhere else for the public to read. That could be from six months to a few years.
Reprints
If a call for submissions allows Reprints, that means you can send work that had been previously printed, posted, or offered in other media. Previously published works can be submitted as long as you have allowed for any exclusive time period to end.
Simultaneous Submissions
means you can send them a story or work that has also been submitted to another publication for review. Sometimes the reading periods and wait time is long for publications. If the call to submissions includes allowance for Simultaneous Submissions, you can send your story to several publications at the same time. You have the responsibility to let the other publications know immediately if your work was excepted elsewhere. Once accepted to a publication or website, in most cases, your work will be ineligible to be accepted into other publications until two things have happened; you have let the exclusivity time lapse and you resubmit the work as a reprint to publications that will accept reprints.
Multiple submissions
Means you can send more than one story, poem, or prose to the call for submissions.
Word counts
Submission calls usually have a preferred length of story. In your word program you will have to click on word count and the program will count the words. You will have to make that count clearly visible somewhere in your submission. The call will usually tell you where to put the word count. If it doesn’t, you can put it in your cover letter or directly following your tittle and byline. Everything that is separated by spaces is considered a word. ‘a’ is a word. A street or house number is a word. (215 13th Street = 3 words). An abbreviation is a word.
Byline
is your name, writing name, pseudonym and correct representation of that name. I like to be called Mike when I’m with my friends, but when my name appears in print as credit for writing a story, I like to use Michael – every time, everywhere.
Manuscript formatting
There is a standard way that your story should be formatted. However, with the advent of digital  submissions (email and form submissions), some of those rules have changed depending upon the publication. The Shunn Format was the standard for many years, but on the submissions page there may be preferences that the publications will want different. It’s best to start with the standard format and then change aspects according to special instructions.
File types
A Word document is .doc and .docx file types. However, with the Word format, depending on your computers age and Operating System, there could be difference in how your formatting looks compared to when the publisher opens the file to look at it. I prefer to save my files as .rtf documents which helps it have a uniform visual look no matter what program it is opened with. To save as an .rtf, open your story file, select SAVE AS, and then select .rtf from the drop down bar.
Author bio
Most publications would like a short Bio (biography), perhaps one paragraph about you the writer, written in third person (as if someone else had written it). They don’t want a full history of your life. Make no mistake, the author Bio is also a testament to your writing skills. Try to make it interesting and readable to someone that has no idea who you are and probably doesn’t care. You can see a sample of my BIO on my author page here: Michael Thomas-Knight, Author
Cover letter
Write a cover letter that is simple, with no frills. Just have a greeting and introduce yourself. Tell them your story title and what publication you’re submitting to. End with a thank you.
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“I write one page of masterpiece to ninety-one pages of shit. I try to put the shit in the wastebasket.”
– Ernest Hemmingway
“If you write one story, it may be bad; if you write a hundred, you have the odds in your favor.”
– Edgar Rice Burroughs

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Horror Fiction writer – articles and tips

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Horror Fiction writer – articles and tips

During the past few years I’ve written several articles pertaining to writing fiction. The series of articles titled, “Do You Want to be a Horror Fiction Writer” deals with ideas, suggestions and tips for writing short story fiction. I’m no expert at getting published but I thought it would benefit some to relay what I learned as I advanced my position. As I gained knowledge and had some success in getting published, I relayed the information I had learned.

I’ve gathered these articles here for reference and for you to read articles you may have missed. I hope you find these tips informative.

I. Who can write good fiction?
II. The most basic aspects to a story
III. Presentation – past tense vs. present tense and POV
IV. Know your Genre
V. Point of View – variations
VI. Getting Started – write your story now
VII. Edits, rewrites and drafts
VIII. Story and Plot/conflicts
IX. Get into your character’s mind
X. Writing Flash Fiction

 

Related articles:
Get Them Reading and Keep Them Reading

What’s in a Name? What’s in a Title?

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more to come in the future…

My Year in Writing – 2015

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2015 – my year in Horror Fiction writing

The Devil’s Avatar
The year started very early on Jan 6th with the paperback release of Stomping Grounds, an anthology collection of Giant Monster stories (also available on Kindle). In my story, The Devil’s Avatar a jealous scientist uses an ancient machine that combines spiritual and alchemic aspects to create an unstoppable monster. His twisted mind creates a giant clown to seek out his reluctant lady love and destroy the town in the process. However, his rival also uses the machine, bringing to life a giant Paul Bunyan statue, to fight back and save the damsel in distress. The two battle it out in the center of a small Midwest town in this homage to classic 1950’s American Giant Monster films.

Why you should read. Stomping Grounds contains the best giant monster stories I’ve read in some time. Each story is packed with people crushing, earth quaking action. I’ve read quite a few books in this sub-genre and this one is top notch. I’d say this is the best book I’ve been in during 2015!

The Obsidian Box
My story in the Ghosts Revenge anthology deals with an ex-mobster who wants to ‘off’’ his wife but keep his hands clean. He decides to use an angry spirit to do his dirty work, but how do you control the uncontrollable? I found most of the stories in Ghosts Revenge to be entertaining. They were all written well exhibiting top quality. For a few of them, while written well, I just didn’t like the style, but that’s just a matter of personal tastes. Others I found outstanding. If you like violent ghost stories, this is a great book to dive into. My second fave book for the year. Ghosts Revenge anthology

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Sirens Call ezine issue #20
The theme in this issue was ‘a scream in the night.’ I brushed off and tightened up a story about a guy who frequents S&M chat rooms. During the night the lines between fantasy and reality are blurred when he hears a lone scream in his apartment building.  Sirens Call ezine (scroll down to issue #20 and download the pdf for free)

Bon Fire
This is a Halloween Horror story published at Cemetery Tomes. Originally released in my chapbook, The Clock Tower Black, the story follows a Old Clockgroup of friends who tell stories on Halloween around a blazing fire in the woods. It’s kinda’ like horror-lite for me, reading for all ages. Cemetery Tomes

Thanksgiving Day Surprise
I noticed that I hadn’t written much this year so I decided to write some flash fiction for the Holidays. I wrote three new stories. This is the first, which you can read FREE, right here on the Parlor of Horror site. Thanksgiving Day Surprise

Skin Job – release to be announced
For much of the year I decided to forego any other writing and only concentrate on this story for inclusion in the Terry M. West, Car-Nex series of stories and eBook releases. I figured it was the most important of any project and decided to put my full efforts behind it, turning down invitations to several other anthologies. I received word in November that my story was excepted for the project. I don’t have a definitive timeline on its release as of yet. Pleasant Storm Entertainment

Unleashed in the East
This story was published in the anthology, Kaiju: Lords of the Earth. I wrote this early in the year. It’s only about 10 pages (2,500 words), but I think it’s a very strong story with a solid emotional edge. ‘Unleashed…’ keeps in line with traditional Kaiju while adding a Lovecraftian twist. It is also inspired by a current event news item. I have to say there are only a few stories in this book that feel like true Kaiju stories to me. Kaiju to me has more to it than a giant monster. I based my story upon early Kaiju film ideas, plot-lines and messages. Hopefully it does honor the Kaiju genre respectfully. ‘Unleashed in the East’ in Kaiju: Lords of the Earth.

Christmas Lights
Here’s the 2nd flash fiction piece concerning holidays. It’s my Christmas gift to my followers. Read it for FREE here at Parlor of Horror. This is actually part of a series of flash fiction stories I’m writing dealing with the last few moments of life for each character. I plan on calling the series ‘Moments of Death’ or something close to it. Check it out here: Christmas Lights

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I finally set up a Goodreads Author Page for my published work in anthology books, You can check it out here: Michael Thomas-Knight – Goodreads

You can also check my Amazon Authors Page for the latest releases.
And join me on Facebook for discussions of horror and vintage monster model kits.

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Because of my illness this year, I didn’t have much time to write any articles or guest blog posts outside of my POH posts. I hope 2016 offers me more opportunities to write articles in the horror field. And I hope that any of you that wish to write fiction and haven’t taken that step toward getting your stories published will go for it in 2016! What do you have to loose? Feel free to ask me any questions about writing, submitting your work to publications, or even advice on your stories. I’m no expert but I’ll give you an unbiased opinion…and I read a lot of horror.

stomping grounds antho  Ghosts Revenge - JWK Fiction cover April 2015 - Sirens Call - 20 small Kaiju Lords of the Earth - web nightcarnexart copy

Websites for writers – Everything you need to become a Class-A writer!

Websites for writers
Everything you need to become a Class-A writer!

Everything you need to become a better writer is available from informative websites and blogs to help a writer achieve greater success. Here are some valuable links to check out. From inspiration to publishing, from writing to promoting, I’ve picked some recent articles for the struggling author to read and review.

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Inspiration:

Here’s a good article at Ghosts and Ghouls to jump start the imagination of horror writers. Check it out: http://ghostsnghouls.com/2015/02/09/10-natural-disaster-hauntings/

You should definitely check out the Monster Men pod casts on Youtube. Their latest is an interview with author, Brian Moreland, but each episode is packed with fun monster and horror talk. https://www.youtube.com/channel/UCySWrEt1Ua2kQ-b45R7dDrQ

Kurt Vonnegut – His thoughts on writing fiction
http://www.openculture.com/2015/04/kurt-vonneguts-8-tips-on-how-to-write-a-good-short-story.html

Open Culture – every writer should bookmark this site
Not only does this site have direct articles for writing, it has links to free online stories from many of the literary masters. Its also a valuable reference on many subjects that may pertain to your characters.
http://www.openculture.com

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Advice:

Kristen Lamb’s Blog
Kristen offers top quality articles, inspiration, coaching and mentoring to fiction writers.

https://warriorwriters.wordpress.com/2015/11/02/how-writing-quickly-can-improve-your-storytelling/#comment-227213

https://warriorwriters.wordpress.com

Jacqui Murray is an author, columnist and teacher with some very good info for the practicing writer.
https://worddreams.wordpress.com/2015/11/02/how-to-amplify-your-writing-career-or-6-bad-writing-habits-to-drop-right-now/

5 Harsh Truths for Writers is a great article from Cultured Vultures
http://culturedvultures.com/5-harsh-truths-writer/

A steady stream of advice and information articles for the writer can be found here:
http://writerunboxed.com/

here’s a good article I recently enjoyed:
http://writerunboxed.com/2015/11/16/how-to-write-through-trout-syndrome-and-electric-shocks/

Flynn Gray’s blog
Flynn offers tons of valuable info for writers and authors at his blog. He often posts a page much like this one, with a dozen great articles and links to them for us writers to read. Its quite probable that a few of the links posted here I discovered through Flynn’s posts. If you’re a writer, you should follow his blog!
https://flynngray.wordpress.com/

Cemetery Tomes
My buddy Nate offers  weekly memes and graphics on writing fiction, and he’s looking for some short fiction for the winter months to post.
http://cemeterytomes.wordpress.com

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NaNoWriMo
http://nanowrimo.org/
It may be too late to join this year but you may want to check it out for next year. If you always had an idea for a novel and have always had trouble starting it and keeping at it, joining this group will help you push yourself for a full month. See if you got what it takes to get that story down. You track your progress, get inspiration and see others going through the same struggles as you. I may actually do this next November, so I will post about it in Oct. 2016. I have resisted up to this point because I had many short story ideas that I wanted to write and have built a certain level of success with them. But, by next year, I think it will be time for me to get on with writing full novels.

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Hope you find these links helpful. Anyone who is just getting into writing or who is seeking advice on getting published can feel free to send me questions. I will try and help if I can, or at least I’ll try to send you to a website with the info you seek. Mike.

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Do you want to be a horror fiction writer? Part X

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Do you want to be a horror fiction writer? Part X

The Secrets of Writing Flash Fiction

Flash fiction is a story form that is really short, usually from 100 to 1000 words. It is not a vignette, it is not a commentary on an event, it is a full story with a plot and conclusion. If you attempt writing some flash fiction you will find it is often harder to write good short fiction than longer works.

How I approach flash fiction writing is by breaking it into the three act story format, but I title them:

Conflict
Action/reaction
Resolution

In a flash fiction piece it is important to start your story in the conflict, or very close to it. You usually don’t want to rely on back-story for flash fiction because it will eat up your word count. You might need a few sentences but keep it minimal. You’ll want to make your story be told in one scene, one location, and in one piece.

1st act – character introduction, initial conflict, dilemma
2nd act – the action the character takes to resolve the conflict or dilemma
3rd act – The results of the main character’s action to solve the conflict and the change in the situation.

Theoretically you can do this in three paragraphs.

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It is important to have a great first sentence, a grabber that will get people to read your story. It should do one (or more) of three things:

– It should make the reader ask themselves a question that needs to be answered.
– It should put them in a situation that they are curious about.
– It should make them feel instant camaraderie or empathy for your main character.

The climax of the story should be at the end of the second act when the MC has taken action to solve the dilemma and the conflict is escalated to its peak. The third act should be short and bring everything back to normal, to a new normal, or to a realization of what the future of the MC will be.

Naturally, these are just guidelines and exceptions to the format always exist.

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Here are a couple of opening sentences, grabbers, that I’ve used from some of my most frequently read stories on the internet:

The moment old lady Ambrose bent over to look in my basement window, I hit her in the back of the head with a hammer…
from my story Upstanding Citizen on the Carnage Conservatory

I love the dead. Their cooling flesh, pale blue tone, and relaxed muscles produce an exquisite experience within my fingers…
from my story Aberration on microhorror.com

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Extremely short fiction can have an implied aspect to it. Much of the story can take place in your head after the story is read. Following are some examples.

The shortest stories ever written:

Ex. 1:
For sale, baby shoes. Never worn.

This two sentence piece is often attributed to Hemingway.

Ex. 2:
James woke one night in his dark bedroom with the notion that someone was in the room with him. When he reached for his glasses on the nightstand, they were placed in his hand.

Unknown author.

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“A short story must have a single mood and every sentence must build towards it.”
― Edgar Allan Poe

“A short story is a different thing all together – a short story is like a kiss in the dark from a stranger.” ― Stephen King, Skeleton Crew

“You learn by writing short stories. Keep writing short stories. The money’s in novels, but writing short stories keeps your writing lean and pointed.”
– Larry Niven

Do you want to be a horror fiction writer? Part IX

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Get into your character’s mind
– then put their experience in words

In order to really get into my character’s head, to experience what he/she is experiencing in my story. I will often write in first person. When writing in first person I can hear, smell, see and sense everything the character is experiencing. I can feel what they feel and relay their thoughts. I live the part and live through the scenes in which they are thrust into.

I entered the cavernous room with trepidation. The air was clammy and thick with the scent of death and decay. I crinkled my nose and blew three quick blasts of air through my nostrils. Stacks of wooden crates stood like monolithic shadows, hugged by a fine mist crawling through the dark. Something scurried across my bare toes and into the shadows, making my spine tingle. It’s feet pattered away in a frantic race until the ticking of it’s paws against the floor EYE 001ceased. I heard it screech in agony, but only for a moment. My teeth began to chatter despite the heat…

I know what your thinking – Wait a second, Mike. You said that editors prefer stories in third person! Well, that’s true. That doesn’t mean you have to write it that way. I will often write my stories in first person, then transpose them to third person later.

Clive entered the cavernous room with trepidation. The air was clammy and thick with the scent of death and decay. He crinkled his nose and blew three quick blasts of air through his nostrils. Stacks of wooden crates stood like monolithic shadows. A fine mist crawled through the dimly lit corridors. Something scurried across Clive’s bare toes and into the shadows, making his spine tingle. Its feet pattered away in a frantic race until the ticking of its paws against the floor ceased. Clive heard it screech in agony, but only for a moment. His teeth began to chatter despite the heat.

Your job is to get the reader’s mind into your character’s mind so they experience the same things in unison. The best way to do that is for you, the writer, to be in there first, to experience your character’s plight, and then convert it into a readable story. Sometimes I will come to a certain scene in a story and write that scene in first person despite having written the rest of the story in third person. I’ll do this because that scene needed an intimate feel to relay the subtleties of the situation. I walk into that room as my character, I look around, I describe an odor, I hear things shuffling in the dark, and I see shadows moving on the walls. Later I go back and rewrite that into a readable third person sequence and match it to the rest of the story.

So, if you want to get an intimate feel for a scene, write it in first person and transpose it to third person later.

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Don’t tell me the moon is shining; show me the glint of light on broken glass.
― Anton Chekhov

Fiction is the truth inside the lie. 
― Stephen King

The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.
– Ursula K. Le Guin