Tirano’s Claw (1994) – movie review

Rare and Obscure Dinosaur films

Tirano’s Claw (1994)
aka: Dinosaurs vs Cavemen

Tirano’s Claw is a South Korean film about caveman life with no dialogue, much like One Million BC. When one caveman’s love interest is about to be sacrificed to the tribes God, a huge Tyrannosaurus, he risks his life to save her, getting them both banished from the tribe. They battle a Pachycephalosaurus, a giant man-eating rat, and their fellow tribesmen as they fight for survival. There’s some nasty and grotesque scenes depicting the savagery of prehistoric life. The worst part is watching them eat. Despite its sometimes sub-par special FX it’s somewhat engaging as you root for the young couple to escape the clans relentless, and often silly/comical pursuit to bring them back to the sacrifice stone.

As far as dinosaurs are concerned, there’s a very rubber looking, man in a suit Pachycephalosaurus (slightly more realistic than Barney the purple dinosaur), a man-in-suit Pteronodon and a large animatronic Triceratops. However, the star of the show is a full-sized Tyrannosaurus, mechanical/animatronic dinosaur. I can imagine that this ungainly monstrous contraption most likely killed or maimed some of the stuntman making the film. Tirano’s Claw might only be enjoyable for Dinosaur completists, but I found it entertaining. For a long time it was very difficult to get your hands on a copy, but now you can watch the whole film on YouTube. see link(s) below.

https://m.youtube.com/watch?v=fXQ8hiVebsw

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Dinosaur Film Reviews on Parlor of Horror – overview

Valley of the Dragons (1961) – movie review

Rare and Obscure Dinosaur films

Valley of the Dragons (1961)

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directed by Edward Bernds 

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Starring:
Cesare Danova
Sean McClory
Joan Staley
Danielle De Metz

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Here we have a dinosaur film that did not shoot one frame of dinosaur footage for its own production. Every scene of dinosaur and prehistoric beast was reused footage from films that have come before, most notably, One Million BC (1940). The production got fairly creative with this, going as far as filming the characters (new footage) in the foreground over the reused footage in the background. They even use b&w footage of Rodan to stand in as a pterodactyl. The premise of the film is far-fetched. Two men about to have a gun duel are swept up by a comet colliding with earth. They find the comet has earth’s prehistoric life still living as it had been a million years ago. The men are attacked by a parade of lizards and reptiles posing as dinosaurs including, a skink, a gator, an iguana, a monitor lizard, and a snake. There’s even some armadillo mixed in with some fake mastodons and a mongoose. Well, the two men get separated and each makes friends with a separate tribe of humans. In the end they get the warring tribes to get along, shake hands themselves and make a new life with their respective new cave-girl love interests. One of the big draws to the film, especially for young men, was the underwater swimming scene with star, Joan Staley. This film is not at all important in the history or legacy of dinosaur films. However it is enjoyable in a train wreck, sort of hokey-silly-pseudo-science, way. I just wouldn’t go out of my way to find it.

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So we meet again!

Hey, what am I doing here?

Why can’t we be friends?

Nice shot of Earth with clouds…

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a big draw for the film in 1961 was this scene…huba, huba!

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Dinosaur Film Reviews on Parlor of Horror – Overview

Horror Movie Poster art – Postcard Collection- Part II

Horror Movie Poster art – Postcard Collection- Part II

From my personal collection – post card sized replications of all the famous classic films I love
The middle era horror films, 1960’s to 1980s, plus some non-horror flicks:

 

1960’s horror, sci fi and other!

1970’s and 1980s horror and sci-fi

My Clint Eastwood poster repros:

 

The People That Time Forgot (1977) – movie review

The People That Time Forgot (1977)

Amicus Films
Directed by Kevin Conner

Starring:
Patrick Wayne
Doug McClure
Sarah Douglas
Dana Gillespie
Thorley Walters
Shane Rimmer

This is the sequel to The Land that Time Forgot. Overall it is a step down from its predecessor but there’s some exciting dino-interaction scenes, especially early on. The script, plot, and story is sub-par even for a dinosaur/action adventure film. It was directed by Kevin Conner as were all the E.R. Burroughs Films done by Amicus (and AIP).

Ben McBride (Patrick Wayne) sets out on a mission to rescue Bowen Tyler (Doug McClure) from the mysterious land of Caprona, where he was abandoned in the first film. Their plane is downed by a pterodactyl and the gunman/ mechanic is tasked with fixing the plane while the rest of the rescue team searches for Tyler. They meet a cave woman who had learned English from Tyler and she leads them to a race of more advanced warriors who are holding Tyler captive. Naturally the team sets Tyler free, a volcano erupts (because that’s how all dinosaur films end) and the team escapes. There is some fun sparing between the male team members and a female photographer, Charly (Sarah Douglass) early in the film. The cave woman, Ajor, (Dana Gillespie) provides some eye candy, with a bursting bust-line and big hair.

The main scene that makes the film worth watching is the pterodactyl fighting the plane. It is much like a dog-fight in war films and makes for an outstanding action sequence. It goes on for a bit of time and is wonderfully choreographed. The film goes downhill after that, but it’s occasionally bolstered by a funky looking Stegosaurus, some cave monsters, and some sword and sorcery type hand to hand combat. There were a couple of Ceratosaurus, but truthfully I made better looking dinosaurs as a kid from playing with my mashed potatoes at dinner. A few of the creatures in the skull caves looked like repainted monsters leftover from At the Earths Core. The film doesn’t give much credit for the dino effects, but I’m quite sure they didn’t use Roger Dicken who crafted some impressive looking puppets in the first film. Ironically Tyler dies after they rescue him which kind of makes the whole film feel redundant. Amicus Films actually closed before the film came out, but AIP, the distributor, went ahead with the release.

Fun Facts:

Dana Gillespie was primarily a singer whose teen single was produced by Jimmy Page, did folk music thru the 1970s, sang back up vocals on David Bowie’s, Ziggy Stardust album, and starred in the London Palace Theater’s Production of Jesus Christ Super Star. She finally settled into the blues genre and has over 25 albums to her name including her most recent, Cat’s Meow in 2014. Every year she runs a Blues Festival in the Caribbean that attracts name musicians from all over the world.

The Land That Time Forgot review
See more Amicus Films reviews at the Amicus Films Overview page
See more dinosaur films at the Dinosaur films Overview page

Crater Lake Monster (1977) – Movie review

Crater Lake Monster (1977)

If it weren’t for my love of stop-motion animation, this film would be too difficult for me to watch. There is tons of goopy dialogue that offer exposition we don’t need and character development of people with no character. It takes nearly a half hour before this Monster sneaks up on an unsuspecting camper. This thing is 30ft long and several tons, don’t know how this thing would sneak up on anyone. Bad hair cuts (or lack of them) and 70s porn star mustaches abound. We’re forced to follow the antics of two stooges who are not funny, (maybe if I was 6), and a Sheriff who is supposedly the smart one…supposedly.

The Monster is a Plesiosaur let loose from its underwater cave during a small earthquake. It eats a cow, it eats a chicken, it eats a camper and a guy that goes fishin’ – but nobody notices these people gone missing. The stop motion is outstandingly smooth and the plesiosaur model has great character (at least one character in this film does). The close up shots are terrible and consist of a large, stiff, fiberglass head that has no life in it. The soundtrack music consists of 70’s light fm and elevator music. Then, when the monster shows up it turns to 1950’s style sci-fi music used plenty of times in The Beast, the Deadly Mantis, and the Giant Behemoth.

 

David Allen:
If you like stop motion animation you have about ten minutes of great monster footage in this flick. The animation was done by David Allen. Allen was an active animator in film starting in his early career on the series, Davey and Goliath and the Gumby Show. He went on to animate sequences in Equinox and Flesh Gordon in the 70s. His work can be seen in Q, the Winged Serpent, Puppet Master, Caveman, Honey I Shrunk the Kids, and Batteries Not Included. In the circles of effects people he is most praised for his animation of Kong in the VW commercial in 1972. Perhaps his most known work was animating The Pillsbury Dough Boy.

If you like the art of stop motion animation you will find some nice work in this film. For the rest of you, leave this in the crater it had crawled from.

Fun Facts:
Stop Motion Animation is not necessarily claymation. In fact most films do not use clay for their stop motion effects. They use sophisticated puppets with metal skeletons inside called an armature, that enabled the animator to move it in small increments. The skeleton is covered with foam, rubber and latex, sculpted to simulate dinosaur skin and sometimes covered in fur (King Kong, Mighty Joe Young).

One Million BC (1940) – movie review

One Million BC (1940)

Directed by Hal Roach, Hal Roach Jr.

Stars: Victor Mature, Lon Chaney Jr., Carole Landis

Hal Roach is a company you wouldn’t have expected to produce a serious film on prehistoric life. Yet that is exactly what is presented here. We follow the story of Tumak and his struggle to get out of the shadow of his father and tribe leader. Early in the film he battles his father over food and is forcibly kicked out of the clan. Wounded, he floats down river and is saved by a clan of people that are less savage and have a different sense of community. The cave woman Luana takes a liking to Tumak and nurses him back to health. He observes their ways of sharing, even letting the children eat first rather than fighting over scraps as his tribe was accustomed to doing. They work as a community for the benefit of all and even provide for the elders who can no longer hunt and gather. It is a real community rather than a winner-takes-all social hierarchy.

There’s one silly looking Allosaurus to which thankfully they never show a clear view. After that display, the parade of lizards posing as dinosaurs is a welcome sight. This film has the famous scene where the dwarf gator fights the monitor lizard which has been used in half a dozen other future films. Eventually Tumak returns to his tribe with Luana to teach them his new ways. The tribe learns quickly. Unfortunately there’s a nearby volcano that erupts destroying Tumak’s homeland. Luana seeks shelter in a cave with many of the children and they are trapped in the cave by a giant iguana. This iguana-saur ain’t budging. It barks like a dog, growls like a lion and hisses like a snake with a toothache. The two tribes work together to free Luana, the women and children trapped in the cave. And they all live happily ever after.

This is the first film in a line of films that presents the life of prehistoric man without any recognizable dialogue. It’s followed by the loosely based remake, One Million Years BC (Hammer Films), When Dinosaurs Ruled the Earth (Hammer Films), Clan of the Cave Bear, 10,000 BC, and even Cave Man (1981). Roach originally hired GW Griffith for the production because of his experience with large scale special effects, but they parted ways after differences in opinions. Despite the departure, the film won two academy awards, best special effects and best music score. There are some noteworthy effects in the film including the volcano lava that just misses swallowing a child and the giant Iguana sequence trapping the women and children in the cave. It’s plot is fairly basic and it’s dinosaurs are limited in appeal but it is notable as a film of its genre for imagining the life of the Cro-Magnon man, however scientifically inaccurate some aspects may be portrayed.

Publicity shots and behind the scenes shots:

Dinosaur Island (2014) – movie review

Dinosaur Island (2014)

This is the movie where the Tyrannosaurus looks like a Giant Parrot!

Directed by Matt Drummond

Staring:
Darius Williams
Kate Rasmussen
Joe Bistaveous

This is an Australian release involving a boy who’s plane goes through an electric storm that opens up a portal to a world of lost things. There’s planes, boats, and vehicles of all sizes, killer plants and giant centipedes, and of course, dinosaurs. Once there, he meets a young lady (age 15) from the 1950s and together they survive and even find a way out. To give the film some credit, the dinos are brightly colored and creatively rendered. They use all the latest information from dinosaur discoveries and theories to portray a more modern picture of dinosaur life. The coloration seems to take cues from the Amazon jungles where there are many bright colored animal species.

The film tries to pull a page from the book of Disney and be fun for kids of all ages, but fails to pull it off. The film’s actors are stiff and unsympathetic. I don’t wholly blame the kids here because the script often dumps blocks of information through the dialogue like text book chapters, just to clarify the story’s progress. The jokes fall flat and the plot is fairly monotone never building to a climax.

I do like the dromaeosaurus and the new-fangled iguanodon. Also the pterosaurs look good and fly gracefully. The raptors look good despite having feathers. The biggest drawback is the T. Rex. Latest fossils have shown skin textures in some of the later Cretaceous Rexes to have chicken-skin bumps mostly associated with feathers. However, they are only in certain areas of the body and thought to be present only on juveniles. In this film we have a full grown T. Rex, fully feathered and brightly colored, looking like some deranged nightmare parrot. I was neither impressed nor menaced by this gaudy creature.

Initially I had been excited about this film and impressed with some of the dinos in the trailer. The CG was very well done and incorporated into the live footage seamlessly. However, the film seems to be pandering to an American audience, mimicking a summer blockbuster and is all the more dull because of it. I would say it is better than most of the shot-on-digital-video, SyFy-style dino flicks. The CG in this is much better than in those flicks. I’m a huge fan of dinosaur movies and try to see them all. Except for a few dino action scenes, DI 2014 is lackluster. I enjoy most dinosaur movies (even the bad ones), but I just can’t recommend this one to anyone but the completist dinosaur movie fan. I think I would have enjoyed it more as a half hour documentary depicting the feathered dinosaur for debate.

Some cool dinosaur coloration and ideas but overall a lackluster dino film.
I can only give it a 2.0 out of 5 on the feathered dino freak scale.

we’re lost!

early Jurassic Dilophosaurus would not have feathers IMO

great colors

The one creature that could have feathers, doesn’t

which way to the banquet?

Polly want a frickin’ cracker!

Planet of Dinosaurs (1977) – movie review

Planet of Dinosaurs (1977)

Directed By James Shea
Written by Jim Aupperle and Ralph Lucas

This is an important film for the dinosaur movie fan because it is the last full-length *dinosaur world film to feature stop-motion animation dinosaurs. The film was a labor of love by the (at the time) up-and-coming special effects artists and animators. Most of the animation was handled by Doug Beswick and the effects photography was done by Jim Aupperle who was a knowledgeable special effects camerman. The models were built by Stephen Czerkas and Jim Danforth did some of the matte paintings.

The dinosaurs strive to equal the quality of the men’s mentor and hero, Ray Harryhausen and they even pay tribute with a Rhedosaurus-type dino in the film. The numerous dinosaurs have a unique lizard texture, scaly and knobby and are each marvelous creations for their stop-motion format. The dinosaurs engage in some violent scenes pushing the envelope of the past, such as when the Ceratopsian impales one of the crew with his forward horn. This film has a large amount of dinosaur action and scenes, as they are the main reason for the film being made. In fact, Aupperle designated most of the limited budget for the film to go into the special effects. Dinosaurs include, Stegosaurus, Allosaurus, Rhedosaurus, Ceratopsian, Brontosaurus, Tyranosaurus, Kentrosaurus, Allosaurus, and Struthiomimus.

The story is a fairly lame hodge-podge of old ideas and is only outdone by a terrible script and hokey dialogue. A spacecraft veers off course and lands in a lake on a distant planet. The crew get out alive but all their equipment is lost. (Sound Familiar anyone?) They find the planet to be populated with savage dinosaurs that attack them relentlessly. The ships captain wants to take a passive path through the land, avoiding the dinos and finding a secure place to hide until help comes. The older experienced macho-man, Jim, wants to show these dinos who’s boss and kill the biggest one in town, the T Rex. At one point the Captain yells at Luke Skywalker dude for giving an hysterical woman a weapon. This was 1977, the year of Charlie’s Angels, didn’t they know women had the power by then?

There’s some weird dialogue about being a vegetarian and a meat eater and how only the meat-eaters survive. To prove the point, all the ‘vegetarians’ die first. The remaining crew sets out to kill the T. Rex. They first kill a Kentrosaurus, stuff it with poison berries and bring it to Rex’ s cave. Well, old T. Bone skips right over the Kentro and grabs Luke Skywalker dude in his teeth. Ouch! Another team member gone. They come up with a new, more aggressive plan to kill Rex and it works. And they live happily ever after on their new planet.

Realizing early on that the actors are not going to carry the film, the filmmakers take lots of footage of them walking. Up mountains, down hillsides, across deserts, there’s just too much walking. The hokey dialogue is funny at times but wears thin as the film continues. The only saving grace is the last 45 minutes of the film has a lot of dinosaur scenes

If you’re looking for a good story, interesting sci-fi themes or any tense character drama, your ship is way off course with this film. But if you just want to see some impressive stop-motion dinos, and some humans get gobbled up by them, you will find this film enjoyable.

Check out more dinosaur film reviews at my master page: Dinosaur films

* other films beyond this point did feature stop-motion animation dinos, most notably The Crater Lake Monster and Q: The Winged Serpent, but POD was the last to show a full dinosaur world with many species of dinosaurs using this form of animation.

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Note about the dvd release:
In a homage to stop-motion effects animation, the dvd special features also include the silent Willis O’Brien shorts, The Ghost of Slumber Mountain (1919) and Dinosaur and the Missing Link (1915)

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Notes about the effects crew:

Jim Danforth – worked on films as an animator and/or matte artist quite often uncredited. He made contributions to titles such as: Jack The Giant Killer (1962), The Outer Limits (1963-64), Equinox (1970, When Dinosaurs Ruled the Earth (1970), Willy Wonka and the Chocolate Factory (1971) (the Wonkanator), Diamonds are Forever (1971) (Submarine models animation), Flesh Gordon (1974), The Crater Lake Monster (1977), Clash of the Titans (1980), Creepshow (1981), and many more…

Doug Beswick
Worked on notable films such as The Terminator (1984) (stop motion terminator skeleton), Aliens (1986) (Mechanical armature design), The Empire Strikes Back (1980), Flesh Gordon (1974), Beetle juice (1988), Evil Dead II (1987), episodes of Xena Warrior Princess (1998 – 2000), to name a few.

Jim Aupperle
Worked on some mega hits as well including, Ghost Busters (1984), The Thing (1982), Hellboy (2004), Creepshow, Flesh Gordon (1974), Troll (1986), Dinosaur (2000), Harry Potter (part 2), and Ted (2011), to name a few.

Stephen Czerkas

And a special note about Stephen Czerkas who passed away January 22, 2015.

Stephen provided modeling and effects work early in his career to films such as, Dreamscape, Flesh Gordon and Planet of Dinosaurs. In 1981 he was commissioned to do some life-sized models of dinosaurs for museums. In the years following he released several books on the subject of paleontology including, Dinosaurs: A Global View, My life with Dinosaurs and Feathered Dinosaurs. In 1992 he opened The Dinosaur Museum in Utah which will continue to astound, inform and educate visitors on the subject of prehistoric beasts.

So that’s what happened to my 8-Track Tape player

I’m just like Luke Skywalker!

Gets the party started for the guys…

Spring Break, 2069

One horny dino

Impaled!

best scene of the film 🙂

Just when they are about to kiss, in walks T. Rex

A Midnight Snack!

Here’s one for the ladies 😉 …No?

How bout this guy and his 70’s hair and ferret face ‘stache, ladies? I hear he’s single…

Rock climbing 101, let the girls carry all the heavy equipment 🙂

Best looking bronto in a movie!

Lunch!

what big teeth you have grandma

T Rex vs Stegosaurus!

Stephen Czerkas sauropod from Planet of dinos

Stephen Czerkas with Carnotaurus Dinosaur Statue

From left to right, Jim Aupperle, Steve Czerkas, and Doug Beswick

Jim Aupperle

The Land That Time Forgot (1975) – Amicus Films – movie review

The Land That Time Forgot (1975)

Directed by Kevin Connor
Based on the story by Edgar Rice Burroughs

Doug McClure
John McEnery
Keith Barron
Susan Penhaligon

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Here, I get to continue my task of reviewing Amicus Films, and simultaneously revisiting old and obscure dinosaur movies. From the mind of Edgar Rice Boroughs comes a story set during WWI and encompasses the mystery of the Antarctic, specifically a mythological island, Caprona, and what lies beyond its hostile shoreline. Boroughs pictured an unwelcoming fortress that hides inland secrets, perhaps even the secrets of time itself. I had read some Edgar Rice Burroughs books when I was a young lad but can’t remember a lot of specifics. So I’m not sure if this is a good adaptation, but the high drama and action early in the film certainly reflects good writing.

The story begins with a man throwing a bottle with a message in it into the sea. This bottle travels until it eventually reaches a narrator, who then reads the manuscript and sets the story in motion. It begins with the survivors of a destroyed British merchant ship coming upon the surfacing U-Boat that had sunk them. When the Germans open the hatches, the survivors overtake the commander and take over the vessel. The survivors consist of two Americans, Bowen Tyler (Doug McClure), and Lisa Clayton (Susan Penhaligon), a biologist, along with a handful of British crew from the Merchant Ship.

After some cat & mouse battles for control of the sub, Tyler realizes they are lost in Antarctica, low on fuel and supplies. He convinces the German commander, Captain von Schoenvorts that they should work together in order to survive. They come across a legendary island of Caprona and find an underwater cavern streaming warm, fresh water and plant life. Tyler, with the help of the Captian, navigates the sub through the tight twisted caverns in a visually and dramatically intense scene. Coming out the other side they are in a tropical land with lush vegetation and numerous forms of life.

In this hidden land kept warm by volcanic activity, they discover dinosaurs; a Mosasaurus, a Plesiosaur, a Diplodocus, a Pterodactyl, two Allosaurus, and two Styracosaurus. There is also a prehistoric amphibian, Ichthyostega. Later in the film a Triceratops and a Ceratosaurus fight a bloody battle. I give the film kudos for using a wide variety of prehistoric animals. They also discover oil and the crew rigs parts from the sub to set up a primitive refinery. They battle cavemen and even befriend one. In the end the German officer, Dietz outsmarts the Brits and leave Tyler and Lisa on the island. However, their getaway is foiled by the erupting volcanic activity and the struggle with the Brits on the vessel.

Special effects in the 1970s were going through a transitional stage. Puppetry and animatronics became more cost effective and feasible than stop-motion and made it possible for actors to interact with monsters in real time. The puppettronics and special effects in The Land that Time Forgot range from decent to very puppet-looking to funky rubber appendages being thrust into the actor’s faces. Most of the dinosaur work was done by FX-man, Roger Dicken animating his rod puppets in scale jungle scenes. Despite the drawbacks, I still enjoy the dinosaur interpretations in the film. In some scenes you can see the carnivorous dinosaurs drool. Animatronics and robotics would take over special FX in the next few years with award winning creature designs such as Alien. However, they could never get Dinosaurs exactly right; not until they were able to combine it with CGI some 25 years later in Jurassic Park. To me it’s interesting to see the early evolution of these mechanical FX techniques.

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Fun Facts

Roger Dicken also worked on Alien, The Creeping Flesh, The Blood Beast Terror, Thunderbirds Are Go, Warlords of Atlantis and When Dinosaurs Ruled the Earth.

The Land That Time Forgot was remade in 2009 with CGI dinos and with little similarities to the book. Produced by Asylum Pictures.

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See more Amicus Films reviews at the Amicus Films Overview page

See more Dinosaur Movies reviews at the Dinosaur Films Overview page

this Frost Bites

frozen wasteland, lets go thru that tunnel…

What happened to Jake? He was standing here a second ago…

Lunch Time!

stuck in the quickie sand…I mean quick sand

Stand back, I know karate!

Caveman…yum!

Island goes up in a blaze, but goes out in time for the sequel 🙂

The Top 5 Women in Dinosaur and Fantasy films from Yesteryear

My Top 5 Women in Dinosaur and Fantasy films from Yesteryear

(films 25 years and older)

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5) Jane Seymour – Sinbad and the Eye of the Tiger – as Farah
If playing chess with an intelligent Mandrill isn’t enough, she comes face to face with a troglodyte, a giant walrus, and a saber tooth tiger.

4) Victoria Vetri – When Dinosaurs Ruled the Earth – as Sanna
She escapes being sacrificed to the sun god, clashes with the dark-haired tribe, and eventually makes friends with a dinosaur, all while just barely keeping her tighter-than-a-glove bikini top on. (note: in the uncut version, the bikini top does come off.)

3) Caroline Munro – The Golden Voyage of Sinbad – as Margiana
The tattooed eye on her hand calls forth the great Cyclops centaur for a battle of good vs. evil. A handful of 1970’s Hammer horror films playing alongside Lee and Cushing and even bigger roles in At the Earth’s Core (Amicus) and Star Crash clinch the spot for her.

2) Fay Wray – King Kong – as Anne Darrow
She is the ultimate damsel in distress, taken by force, but enduring and surviving a savage world.

1) Raquel Welch – One Million Years BC – as Loana
It was the fur bikini that entranced the world. A young Raquel Welch becomes a star despite not a single word of dialogue in the film.

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Honorable mentions:

Jessica Lange – King Kong (1976) – as Dwan

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Barbara Bach – Caveman (1981) – Lana

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Tanya Roberts – Sheena, Queen of the Jungle (1984) – as Sheena

recommended by Bubbawheat, http://flightstightsandmovienights.com/

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Martine Beswick, also from One Million Years BC (1966)

suggested by Alharron

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Your suggestions for honorable mentions are welcome.

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Also check out:
My Top 5 Women in Sci-Fi flicks of yesteryear

I will be doing a Top Five Women in Horror flicks of Yesteryear soon…