Model Kits – Gorgo – Monarch Models

 

Gorgo Model Kit – Built and painted

Here’s my Gorgo Model Kit.

Gorgo was a 1961 film, directed by Eugene Lourie, about a prehistoric beast that terrorizes London. It used ‘suitmation’ for effects, like the original Godzilla.

This Gorgo Model Kit is brand new from Monarch Models. It is the same size and scale as the original Aurora monster kits, Godzilla and King Kong.

As soon as I got it, I built it. I mean the day it came in the mail, I started to glue.

I sanded and puttied all the seams. I gave some extra attention to the joint at the neck and body. Otherwise everything fit together nice and snug, better than many kits on the market.

screenshot from the film, Gorgo

Gorgo in the film is a very dark creature and I painted my kit dark green to reflect the film. It had red eyes.

I did all my highlights in orange also to reflect the film.

I love the destroyed buildings and ruble around the base.

 

Creature Features revisited – Giant Robots

Creature Features revisited – Giant Robots

A look back at the golden age of sci-fi, the 1950‘s. Our subject today…Giant Robots
One would think and associate the 1950’s sci-fi age with giant robots. Surprisingly there are very few giant robots in film during this time period. Here are my top picks:

Kronos (1957)
Ya’ know, leaving the terrible pseudo-science and phony looking flying saucer aside, this film takes an hour to really get to its namesake. The ‘robot’ is the weirdest looking thing, rectangular metal blocks stacked on columns. And forget about its means of locomotion, even at seven years old (the first time I saw the film) I knew that those alternate pumping pistons would not be an effective mode of transportation. So, what do I like about it? It’s massive, it shoots lightning from its antennae, and it soaks up all the power from a nuclear blast to redistribute it in a calculated path of destruction (I’m really stretching it here). Besides, one of the scientists was played by George O’Hanlon who later became voice of George Jetson (The Jetson’s cartoon). The other scientist was played by Jeff Morrow.

The Colossus of New York (1958)
The Colossus of NY was directed by Eugène Lourié, a name that should be much more famous in the sci-fi community than it is. Ross Martin stars as Jeremy, a scientist and humanitarian, who is killed in a car crash on the night he was to receive the Nobel Peace Prize. His Father transplants Jeremy’s brain into a 12 foot tall robot. This reborn version of Jeremy is kept in seclusion and away from his wife and child, who are picking up the pieces of their life after his death. From the sealed off lab he works with his father and his assistant to solve the problems of the world. But, the lack of contact with his family and a suspicion that his partner is secretly seeing his wife drive him mad. He decides the world is not decent enough to be saved by his work, so they should die by his work. He sets out on a rampage in NYC to attack a convention honoring the scientific community. In the end it is only the love for his son, who is also at the convention, that allows him to be destroyed before causing any further damage. The only score in the film is the piano composition of Van Cleave (who also did music for White Christmas, Robinson Crusoe on Mars, and episodes of the Twilight Zone) The film is mostly a sad melodrama until the short-lived Robot-attack at the conclusion of the film. But it is worth seeing for sci-fi fans of this era.

The Mysterians (1957)
Aliens land in Japan and their giant spacecraft burrows into the ground. They have two simple requests in their alien ultimatum. “We want two acres of land, and all of your women!” When the leaders of earth say, “No” (everyone except Jack Benny, that is) the Mysterians release the Giant Robot, Mogera. He shoots radioactive rays from his eyes and stomps small towns. Flying Saucers come down from space and zap any military attempt at combating the alien takeover. However, the Japanese military has been working on a secret weapon to combat the onslaught of Robot and Saucers, thus, the first appearance of the Maser Cannon is seen in a Toho film. The Maser Cannon shoots a laser beam that looks like lightning and would be put to combat in many future Toho films releases. By far the best giant robot film of the era.

Target Earth (1954)
A young woman, Vicki, (Virginia Grey), wakes up to find the city of Chicago abandoned. The film does a great job at showing her running through the deserted city streets, and portraying her panic, which had to be an influence on the opening of 28 Days Later. She eventually stumbles upon three more people who were down and out and missed the evacuation. The alien invasion consists of robot sentinels roaming the city and zapping anything that moves. Squirrels? Gone. Pigeons? Gone. People? Zap! Zap! Extra crispy. The robots are only 8 to 10 feet tall so I don’t know if they should be considered giant, but like I said, there wasn’t nearly as many films in this category to choose from as I would have thought. This film is heavy on drama but seriously lacking in robot combat. The robots are only seen in a few scenes. They shoot an electric ray from their TV screen faces and a couple of people disappear. The robots are decent looking and the story is really well written, so I‘d give it a thumbs up, anyway. Also stars, Richard Denning.

Honorable mention:

Of course, we got GORT from The Day the Earth Stood Still, but he only zapped a few things then stood immobile for most of the movie. Besides, I’m going to feature this film in my Alien Ultimatums list in the future…

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Creature Features revisited – Dinosaurs Invade (aka: Rex in the City)

A look back at the golden age of sci-fi, the 1950‘s/early 60’s. Our subject today…
Pseudo-Dinosaurs Invade our cities: (aka: The dinosaur films of Eugene Lourie)
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Beast from 20,000 Fathoms (1953)
This is one of Harryhausen’s greatest creations. Eugene Lourie and Jack Dietz approached Harryhausen about creating a dinosaur for their creature feature film. He came up with the Rhedosaurus, a four-legged carnivore. Its head was T. Rex inspired and its body resembled a Komodo Dragon. They brought in Ray Bradbury to help write the screenplay, enabling them to encompass the lighthouse scene, which was a recreation of Bradbury’s story, The Foghorn Beast from 20,000 Fathoms, originally published in The Saturday Evening Post. Thus, came about the title of the independently financed film. They sold the film to WB outright for a measly $4k, upon completion, never realizing that it would become a hallmark of 1950’s sci-fi and dinosaur invasion movies.

Nuclear testing releases the Beast from the artic Ice, where it was frozen in suspended animation for millions of years. A young scientist observing the blast sights the Beast but no one will believe what he claims to have seen. Working with a Paleontologist, he identifies the beast as the extinct dinosaur, Rhedosaurus. After a sighting in Nova Scotia, the beast emerges on the NYC seaport in all its glory, ready to trample its way through Manhattan. There, it stomps cars, eats a police officer, and when fired upon, crashes through buildings, toppling bricks and mortar upon the fleeing people. They finally corral the Beast in Coney Island and our scientist/hero climbs the Cyclone (roller coaster) to the top where he can shoot a poisonous radioactive isotope into an open wound on the Beast. The Beast dies as the Cyclone burns.

The foam latex rubber-over-armature beast model had some impressive detail which really brought the creature to life. Its stride, tail movements, skin textures, expression and eye movements were unique to Ray Harryhausen’s trademark work. Along with his rear projection and masking techniques, this work set him apart from others as the premier monster-maker for years to come. There are some fantastic special features on the dvd including, “the making of the beast” and “Harryhausen and Bradbury” about the working relationship these two men had and how it helped shape the 50’s sci-fi era. The Science: Rhedosaurus was never a real dinosaur. There was an homage to Rhedosaurus in Planet of Dinosaurs -1977.   ‘When Dinosaurs Ruled the Earth’ – 1970, has a Dino that is often mistaken for a Rhedosaurus but was actually designed from a pic of a Scelidosaurus.  Rhedosaurus had features and a design more associated with a giant reptile than dinosaurs.

 
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The Giant Behemoth (1959)
It seems that Pete Peterson did a lot of stop motion in films as part of Willis O’Brien’s production team, therefore giving O’Bie credit in a lot of movies he did not actually animate. This one and The Black Scorpion are two examples. The film begins with nuclear testing in the deep ocean. Soon after, a fisherman from a small Scottish fishing village dies upon the shoreline with radioactive burns upon his skin and dead fish wash up upon the shore. Scientists, Dr. Steven Karnes sights some kind of serpent in his binoculars. Eventually, a giant carnivorous sauropod with a radioactive death-ray rises in the harbor of Great Britain. First the dino attacks a ferry in a not-so impressive scene where you can tell the monster is a puppet. But when Behemoth steps onto land it is a nice looking stop-animation Dino that stomps cars and tears down loading dock cranes. Best scenes include Behemoth attacking the power lines in an explosion of electric sparks and the dino knocking a building wall down, on top of cowering city folk. The fight against Behemoth is not all that impressive, we see a few stock scenes of moving troops and Navy ships but gunfire is actually limited. Behemoth meets his demise by a small submarine diving underwater and a torpedo hit into the soft lining of the monsters mouth.

Its not the greatest movie of its kind but there are reasons I like it. Firstly, there are not too many sauropod/brontosaurus style dinosaurs in movies. This one closely resembles a Brachiosaurus with longer front legs than rear. Behemoth was made with foam and rubber over armature, with scale impressions from perhaps an iguana pressed into the rubber outer coating. This made for a nice texture overall, but close-ups had much less detail and expression than the work by Harryhausen around that same time. Close-ups also showed some of the flaws in its design like the seams where the rubber parts connected. This film was also directed by Eugene Lourie. The Science: all sauropods were herbivores (no they didn’t even eat fish) and they lived out of the water their entire life.
 
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Gorgo (1961)
A volcano rises in the ocean sending a shipping vessel aground upon a nearby island off the shore of Ireland. There, the crew discovers a legend that turns out to be a dinosaur, with fins on the sides of its head, alligator-like skin and red glowing eyes. They take the creature back to London for a Piccadilly Circus attraction. They corral and enclose it in a caged area where they sell tickets for its viewing to the general public. What they don’t know is that the dinosaur is a baby and big mamma dino is soon smashing London to bits in hot pursuit. As with most of the era’s sci-fi films, Gorgo is a little slow to start, but when it does, massive destruction abounds. Gorgo lays waste to Big-Ben, London Bridge and a half a dozen other British landmarks. Although it doesn’t breath fire like its Japanese counterpart, Gorgo makes up for it with sheer destruction, as it swats its big paws around, crushing the city to ruble. The military response is formidable and there is quite a bit of explosive firepower unleashed against the monster, although the film uses quite a bit of stock footage from the British Royal Navy. Gorgo finally finds Gorgo Jr. and both head out to sea, leaving the Brits to scratch their heads in wonderment.

This British film produced by the King Brothers and directed by Eugene Lourie (Beast from 20,000 Fathoms) is made with highly detailed miniatures and a guy in a suit. There is a lot of destruction in the film as Gorgo devastates the city of London. Gorgo was released during a lull in Godzilla films after the original ‘Godzilla’ and ‘Godzilla Raids Again’ (1955) but before ‘King Kong vs. Godzilla’ (1962). It beat Toho to the punch of putting out a film of this genre in Technicolor. It was first released in Japan (1960), where it was a huge hit, then released to the world-wide audience where it was a big box office attraction. Unfortunately, there doesn’t seem to be a really high-quality release of this film to be found on dvd or Blu-ray.
Update: since the posting of this article they have re-released Gorgo on dvd and BluRay, completely restored, and with special features worthy of the films contribution to sci-fi/monster filmdom
 

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Amazingly, all three of these films were directed by Eugene Lourie. It is said that “Beast…” influenced Ishirō Honda into making “Godzilla” which in turn influenced the making of “Gorgo“. Naturally Godzilla/Gojira would fit quite well on this list, but I think a review of it would be redundant at this point in time.

Both Pete Peterson and Ray Harryhausen worked with Willis O’Brien on Mighty Joe Young. Soon after Ray branched out on his own, while Peterson stayed with O’Brien as part of his production team.
 
Ray Harryhausen   …………….  Pete Peterson

Eugene Lourie

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Stay Away from these:

Reptilicus
The Giant Claw
Even a die-hard monster movie fan like myself find it difficult to get through these films. Cartoon-ish monster designs and mediocre miniature modeling. There is just not enough monster action in either to make up for the poorly written story-lines.
 
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And, here’s some pics from the three featured films: