Galaxy of Terror (1981) – Movie review

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Galaxy of Terror (1981)

Produced by Roger Corman
Directed by Bruce D. Clark

Edward Albertmy top 10 1980s horror
Erin Moran
Ray Walston
Taaffe O’Connell
Robert Englund
Sid Haig
Grace Zabriskie

Being an artist, I often enjoy visual splendor in films. That is why I can enjoy an effects heavy film even when the story is lacking. Being a writer and author, I often enjoy original concepts and ideas in films. New ideas spark my imagination and I like to take mental note of aspects I can use or expand upon in my own work. So yes, I am making excuses for why I like this film so much. The story is lacking. The dialogue is mediocre at best.

Several characters investigate an abandoned spaceship on a distant galaxy_of_terror posterlifeless planet. The film follows each as they meet their demise. They all die by a method they would fear most. For example, one gets killed by his own crystal bladed weapon that took him years to master. Another by her own fear of claustrophobia.

The film stars Erin Moran (yes, Joanie from Happy Days) in her first movie role since the end of her short lived spin off series. A very young, pre-Freddy Kruger, Robert England stars in the film. In fact you will most likely recognize all the actors in the cast but one or two. Naturally, being a Roger Corman film there’s lots of blood, guts and gore.

The most disturbing and talked about scene in the film is of the woman being raped and killed by a giant worm. This is a shocking scene even for a Roger Corman gore-fest. The bizarre shots in the sequence had to be trimmed to avoid an X-rating but still reveal enough to disgust you on a visceral level. (The disturbing aspect is that while I know it is vile, I find it hard to look away – something I call the “road kill syndrome). The death-by-worm-sex scene is probably the reason galaxy of terror - pic 7this film has such a strong cult status. It went as far as any scene of this nature will ever go in a horror/sci-fi film.

The film borrows some ideas from Forbidden Planet, especially the idea of the characters being attacked by their own worst fears. Event Horizon some years later has similarities to Galaxy in finding an abandoned ship and entering it only to be psychologically attacked by an evil entity. For a low budget space movie, the effects and sets are surprisingly good. It feels big and the film isn’t held back by its budget. They need a crash landing on the surface of an alien planet? They do it. A gigantic ancient pyramid, they show it. Nothing is trimmed from the script because of budget. I believe the reason for that was having James Cameron as production designer.

As I had mentioned, the film is more about shocking gore and FX than story. It might not be for everyone but having been there when these types of films came out in theaters, and having watched each film try to one up each other in the gore factor, was a fun experience. This would probably have taken the gore award for 1981 if it weren’t for Evil Dead! Good times!

A Corman space movie with horror, blood, nudity and gore, for a harsh R-rating. This ain’t no Star Wars!

I give it 3.9 severed limbs on the death by nookie-nookie scale of freaky maggot infested gore flicks!

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Fun facts:

James Cameron was the 2nd unit director and production designer on this film. I tend to think that much of the huge scope of this film had a lot to do with Cameron. This film most likely prepared him for directing Aliens a few years later. He had worked on several Roger Corman films.

The worm sex scene was trimmed down to get its original X-rating changed to R. Despite the editing, the film was still banned in many countries. It was released in some countries with the scene completely removed.

 

 

Re-Animator (1985) – movie review

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Re-Animator (1985)

Directed by Stuart Gordon
Produced by Brian Yuznamy top 10 1980s horror

Starring:
Bruce Abbott
Jeffrey Combs
Barbara Crampton
David Gale
Robert Sampson

In the first 60 seconds of this film an old man’s bulging eyes explode splashing blood into a woman’s face. A few minutes later there’s a sex scene with Megan, (Babara Crompton) and Dan (Bruce Abbott). This is just the tip of the iceberg that makes up the insane world of Re-Animator. The circumstances, blood and guts, and over-the-top effects are reticent of the 1980s itself. The teaming of Brian Yuzna and Stuart Gordon on this film (and From Beyond) produce something so horribly vile and disgusting to the point you have to laugh; it is nothing less than Black Comedy.re-animator poster

The story is a far cry from the original Re-Animator tale penned by Lovecraft to where only the names, places and basic premise remain. Doctor Herbert West has a serum that when it’s injected into the brain stem, can bring people and animals back to life. He demonstrates on mutilated cat. First Megan’s father dies and they bring him back to life. He’s not the same. Then West uses the serum on University professor Dr. Hill. At first, Dr. Hill doesn’t believe the serum will work, but when Hill tries to take credit for the serum, West kills him. Once back to life and feeling indestructible, Hill decides to fulfill his fantasy with Dan’s fiance, Megan, and kidnaps her.

What hard-core gore scenes shall I talk about? I guess the most vile are the creepy old man (Hill) makes advances on the young college student scenes. Horrifying! Hill’s head, separated from his body puts some gnarly sex moves on a naked and restrained Megan.

Despite being in previous horror films, it was Comb’s role in Re-Animator that gained him notoriety as a campy horror actor and fan favorite. The music by Richard Band provided excellent accompaniment to the craziness of the film, especially in the tense pacing of the main theme which was heavily influenced by the main theme in Psycho. John Naulin handled the Special FX using 24 gallons of blood, 10 times more than he’d ever used on a film previously. Re-Animator has since become a cult favorite and spawned several sequels including Bride of Re-Animator.

And check out the other classic Gordon/Yuzna vile collaboration, From Beyond

A darkly funny Gordon/Yuzna gorefest that took Lovecraft ideas and mashed them with over-the-top 1980s, body horror excess!

I give it 4.1 headless corpses out of 5 on the Frankenstein scale of b-horror re-animated flesh flicks.

 

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Gallery of gore and nudity:

 

ABC’s of Death 2 – movie review

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ABC’s of Death 2

(Various directors)

Ok, we know the deal from the first film. 26 directors, each one takes a letter of the English alphabet and builds a short-short around it.

How do you tell a full story within a small amount of time and with limited dialogue? These shorts are not like watching a regular anthology or film. They are flash fiction pieces put to a visual medium. Some will make you chuckle others will jolt you with shock value. Still others will have little effect and little reason to be remembered. I often like the animated segments best ABCs of death 2 posterbecause of their unrestrained creativity. Many come off as art house films or student films with better production values. There is nothing remotely scary in the film as the cover art would suggest. I don’t find gore scary at all. It may make me squirm or cringe but it garners little fear in me.

B is for Badger was excellent. A real A-hole of a newscaster meets his untimely fate.
C is for Capitol punishment is super realistic gory and tragic.
D is for Deloused a gory animated short, extremely bizarre and unnerving because of it.
H is for Headgames is another unbridled animation segment.
L is for Legacy was a cool little demonic conjuring segment.
O is for Ochlocracy is exceptional, where zombies put a woman on trial for killing zombies.
In Y is for Youth, a teenage girl imagines the worst possible deaths
for her annoying family members. There are some imaginative gory
deaths in this segment that makes it comically entertaining.
T is for Torture Porn; a young woman auditioning for the latest skin
flick, gets the ultimate revenge against the pornographer.

Many of the segments are amusing but as a whole the film leaves little lasting impression. The film is like a calling card for directors and effects teams rather than an entertainment vehicle itself. Without any unifying thread it’s just too long to watch in one sitting. I liked this one a little better than the first because I was turned off by some of questionable subject matter in the 1st one, but overall, the ABC’s of death films are nothing more than a novelty. Unless they do something drastically different in the future, I probably wouldn’t bother wasting my time on another film in the series.

Added note – Some of these segments can be seen on Youtube. I myself, watched it on Netflix (in 3 sittings, a third at a time).