Top Television Horror Movies of the 1970’s – Top Honors!

***Top Television Horror Movies of the 1970’s***

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So which films take the top honors as the best TV horror flicks of the 1970’s?

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I’ve compiled results based upon my posts here on Parlor of Horror. Standing is directly related to Likes, Comments, and Views, I’ve gotten for the posts here. So without further fanfare, here are the Top TV Horror Movies of the 1970’s:

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10) The Norliss Tapes (1977) 16 likes, 1 comment
9) Dead of Night (1977) 16 likes, 7 comments
8) The Stone Tape (1972) 22 likes, 8 comments
7) The Night Stalker (1972)  19 likes, 12 comments
6) The Night Strangler (1973) 20 likes, 5 comments
5) The Gargoyles (1973) 21 likes, 11 comments
4) Don’t Be Afraid of the Dark (1972) 22 likes

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3) Salem’s Lot (1979) – 22 likes, 10 comments

 

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2) Duel (1972) 23 likes, 10 comments
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and here it is folks, the Top, #1, Television Horror Movie of the 1970’s!!!

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Trilogy of Terror (1975)

26 likes, 17 comments

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Congrats to Karen Black, Dan Curtis and Richard Matheson for making Trilogy of Terror the Top TV Horror Film of the 1970’s!! As chosen by Parlor of Horror and their followers. And thanks to all of you for your likes and comments which helped make the choice!

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didn’t make the cut: Someone’s Watching, Curse of the Black Widow, Summer of Fear, The Stranger Within.

However, its not too late to get your vote in…

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Dead of Night (1977) – movie review

***Top Television Horror Movies of the 1970’s***

Dead of Night (1977)

Directed by Dan Curtis
Written by Richard Matheson

Starring:
Ed Begley Jr.
E.J. André
Ann Doran
Patrick Macnee
Joan Hackett
Lee Montgomery
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Dan Curtis and Richard Matheson team up one more time in the 1970’s for an anthology, three fantastic tales to amaze, astound, and terrify the TV audience. The first story feels more like a Twilight Zone episode as a young man travels back in time in a 1926 automobile and accidentally effects his near future for the better. The next story has a successful estate owner in 1896 foster the town’s superstitions in order to capture his wife’s lover. The last tale, “Bobby,” follows a mother whose son had gone missing some months ago. It is assumed that he had drown when he was playing on the rocky cliffs near the beach. The woman is so distraught she uses a witchcraft ceremony to try and locate her little, Bobby. That night, during a raging storm, Bobby comes back, but he’s not quite the same. He has a nasty disposition and when the power goes out he torments his mother with several attempts on her life. There’s shades of Pet Sematary in this segment which is the best of the bunch. It has some moderate creepiness to it but its not going to scare your shorts off. As a whole this film doesn’t stand the test of time as well as some of the other made for TV horror flicks I’ve reviewed here.

The special features of the DVD includes an additional story/movie previously filmed for a TV pilot made in 1969, shortly after the success of Dark Shadows. Also named, Dead of Night, the series was never picked up by a network, but the pilot produced by Dan Curtis aired in 1969. It was quite melodramatic and not nearly as good as Dark Shadows or the later anthology, but leading man Kerwin Mathews playing a ghost hunter could have made for a nifty little series. It was definitely along the lines of The Night Stalker and The X-files. However it didn’t seem developed enough and I’m sure Curtis used lessons learned with this venture to perfect his vision for The Night Stalker.

Fun Facts:

Dead of Night was also the name of a 1945 horror anthology film, famous for being the first film using the horror anthology format. Dead of Night 1945 was a big influence on the co-founders of Amicus Films.

The segment “Bobby” was remade in the film, Trilogy of Terror II (1996)

Dead of Night 1969 movie

The Norliss Tapes (1973) – Movie review

***Top Television Horror Movies of the 1970’s***

The Norliss Tapes (1973)

Directed by Dan Curtis
Screenplay by William F. Nolan

Starring:
Roy Thinnes
Don Porter
Angie Dickinson
Claude Atkins

It would seem that NBC, seeing the success of The Night Stalker and the vehicle of using a pilot movie to launch a series, wanted in on the Horror movie action. They called upon the highly successful talent of Dan Curtis who enlisted William F Nolan for the script. What is produced is like an upper class version of The Night Stalker. It’s familiar ground, but somehow doesn’t feel derivative despite the similarities.

Author, David Norliss calls his publisher, Sanford, telling him he can’t write the book he was supposed to be working on for the past year. The book was supposed to be a exposé to debunk the supernatural. When David disappears, Sanford goes looking for him at his mountain home. He finds the place in disarray. The publisher sits at David’s desk and sees recorded journals about the research he did for the book. He puts a cassette tape into the player.

The taped narration leads into the tale about a woman whose husband died but doesn’t want to stay buried. Norliss investigates the first attack on the woman, Mrs. Cort, that leaves her dog dead and herself frightened. Soon there are more murders. The victims are found to be completely devoid of blood. Norliss speaks with several suspects gathering clues and a mystery unravels concerning an ancient Egyptian ring and a sculpture Mr. Cort had been working on before his death. This dead guy zombie/husband is seriously creepy as he attacks Mrs. Cort and Norliss again. The only drawback is he growls in a voice that reminded me of the ghoul in an episode of Scooby-Doo (the cartoon). Sheriff Hartley, (Claude Atkins) is the reluctant cop who doesn’t want details of the murders released to the public and doesn’t want Norliss interfering with the investigation. The tale escalates in classic Dan Curtis fashion. It ends with Norliss still narrating on tape and Sanford removing the tape as it stops. He then picks up another tape, one of many, presumably another story that would continue the series, as the credits begin.

It’s too bad this didn’t spawn a series, it would’ve been a nice addition to the legacy of Horror TV shows. Despite some drawbacks and similarities to the aforementioned films it was fun to watch. It doesn’t offer anything new or spectacular, but it was entertaining. It’s a quality horror film with exceptional acting and well worth a spin for fans of the other 70s horror flicks I’ve been reviewing.

 

 

Duel (1971) – movie review

***Top Television Horror Movies of the 1970’s***

Duel (1971)

Directed by Steven Spielberg
Written by Richard Matheson

This early Stephen Spielberg film penned by Richard Matheson is a fantastic suspense thriller that holds up well even to this day. David Mann, (Dennis Weaver) is heading cross country to a new job. Early in the trip he passes a truck that was moving slow and spewing fumes from the exhaust pipe. He is tormented by a faceless trucker in this mind-game of cat and mouse for the rest of his trip. The suspense and terror associated with the unknown assailant builds to a feverish peak as David tries to shake off his stalker with little success.

There is a scene where David enters a roadside diner after being run off the road and nearly killed by the assailant. He knows the truck driver is in the diner and walks through quietly examining each of the men in a highly tense scene. It’s a great example of psychological horror, worthy of a Hitchcock film. Back on the road, the two are locked into a deadly duel as David in his 1971 Plymouth Valiant tries to fend off the faceless driver in his 1955 Peterbilt 281, tanker truck.

If you have not seen this movie, it would be worth seeking out. It is shot in the style of 1970’s movies, but that doesn’t hinder the tension and suspense of this classic road trip film.

 

Fun Facts:
In one scene, David sees a sedan resembling a police car and hopes to get help with his predicament. However it turns out to be a car for an exterminator service. The name of the company is ‘Grebleips’ which is “Spielberg” spelled backwards.

In the scene where David Mann is calling the police from a telephone booth, Spielberg can be seen in the reflection of the glass. He said in an appearance on The Actors Studio that it was an unintentional cameo.

The roadside Diner in the film, Chuck’s Café, is still standing today and is a French Restaurant.

Some additional scenes were shot for this film for its theatrical release outside the US. These are good scenes with the bus and the train tracks. It’s recommended that you see the extended theatrical release film with these scenes included. (I believe it’s the only version on dvd/bluray)

There are many more interesting trivia and fun facts for this film, If you are interested you should check out the IMDb page.

Don’t Be Afraid of the Dark (1973) – movie review

***Top Television Horror Movies of the 1970’s***

“Sally, Sally…join us.”

Don’t Be Afraid of the Dark (1973)

directed by John Newland
Written by Nigel McKeand

Starring:
Kim Darby
Jim Hutton
Barbara Anderson
William Demarest

This original, made for TV movie, had a very low-key script with not much back story, and little special effects. Somehow this low-key film managed to be creepy as hell. When Sally and her husband inherit an old Victorian home, she opens up a basement fireplace despite the urging of a family worker telling her she should not. She unknowingly releases little goblins that were locked up in there for decades. They torment her while her husband is out, whispering her name and urging her to “Join us.” The most shocking scene is when Sally is having a dinner party for her husband’s firm and the nasty little demon man pulls the cloth napkin from her lap. There is a great sequence in the bathroom where the little goblins mentally torture her, clicking off the lights to attack but becoming still and silent when she calls her husband in. The husband insists that Sally is having some kind of mental breakdown making her further isolated in fear. This is another TV movie that shocked viewers especially because of the ending.

Fun Facts:

The movie was filmed in a little over two weeks due to a looming writers strike.

This had been a favorite movie of Guillermo del Toro when he was growing up. He and his brothers would tease each other around the house whispering, “Sally, Sally.” He produced and co-wrote the 2011 remake. Despite the fact, you can skip the remake, it has very little to offer.