Hellraiser (1987) – movie review

Hellraiser (1987) – 20th Anniversary Edition

Directed by: Clive Barker

Doug Bradley
Andrew Robinson
Clare Higgins
Sean Chapman
Ashley Laurence
Nicholas Vince

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Hellraiser was both shocking and terrifying when it hit theaters some twenty-seven years ago. I had watched this film on VHS dozens of times since its release and watched the many sequels dilute the impact of the Hellraiser franchise. I was curious to see if the original film still held its own over two decades later.

When first released, this movie felt like you were seeing something completely new, expanding on the imagination much like The Matrix did in the 90’s. Not bad for a considerably low-budget movie void of CGI or modern digi-fx techniques. Upon watching it for the first time in well over a decade I noticed some aspects of the film look dated and reveal the films budget limitations. Electric sparks that are produced from the puzzle box and when the cenobites are dissolved seem layered on rather than in the setting. The wall-walker creature looks somewhat lifeless and rubbery. That being said, the aura and atmosphere of Hellraiser still portrays a dark netherworld of fantastical creatures and concepts.

Watching Uncle Frank regenerate himself from some kind of primordial green goop is a stunning FX sequence. Following that, Frank is a grotesque skinless biology study of exposed muscle, cartilage and sinew for most of the movie. Although difficult to look at for its goriness, I also find it hard not to stare at him with morbid curiosity.

The scene where Kirsty solves the puzzle box and we get our first real good look at the cenobites is truly bizarre. The lipless cenobite, Chatterer, restrains Kirsty by shoving two fingers into her mouth as the eyeless Butterball, watches with enthusiasm. The lone female cenobite speaks with seductive elegance that could be mistaken for an angel’s whisper. Doug Bradley as Pinhead commands the scene with few words but delivered with such a powerful voice it could make one cringe.

The scene where Frank, disguised as Kirtsy’s father, is being pulled apart by dozens of hooks stretching the skin of his face to its limit is disturbing. “Jesus Wept”, he says before exploding into a bloody pile of meat.

One aspect that makes this movie so intriguing is that many little concepts make up the whole. We have the horror of Uncle Frank needing fresh flesh to regenerate himself – We have psycho step mom, Julia, dispatching would-be lovers with a hammer strike to the cranium – we have the cenobite and puzzle box concept – and we have the vagabond threaded throughout the movie, only to find, in the end, that he is actually a winged demon guarding his prime asset, the puzzle box.

This special edition comes with several interviews that bring us behind the scenes of the Hellraiser legend. One comical comment comes from Doug Bradley himself. He says he had the choice between playing the cenobite, Pinhead, or the bit part of a moving man helping to move a bed upstairs in the house. Because he was a striving actor he thought it may be better to actually see his face on the film and he had originally decided to take the bit part! Aren’t we glad he changed his mind? His performance is synonymous with Pinhead.

Much has happened since the release of Hellraiser. The notion of the cenobites became a cult mythos of its own, much the way H.P.Lovecraft stories sparked the Cthulhu mythos. Pinhead became a great icon in horror motion pictures taking his place in infinite stardom with the likes of Freddy, Jason, and Michael Myers. But, Hellraiser offered even more. Behind the vile deeds, gore, guts, and grotesque sights lies a world of wonder, the unbridled awe of a nightmare world that exists within our darkest visions.

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Hellraiser: Revelations (2011) – movie review

above photo is not from the film

Hellraiser: Revelations (2011)

Who’s bad idea was this? If it’s the same guy who decided, we can do Pinhead without Doug Bradley, he should be FIRED! Okay, I realize that the studio had to do this film to keep the rights of Hellraiser. We wouldn’t want the rights to revert back to its creator, Clive Barker, because, what does he know? (I’m being sarcastic here!) So they put out a film that is so bad, no one could resurrect the franchise.

How bad is it? First, this film doesn’t know if it wants to be a found footage film or not. It takes about 45 minutes for the director to decide. Second, the two main characters are such bottom-of-the-barrel, low-life scum, how could I possibly care if they lived or died. They’re abusive to women and eventually work together to kill them. I’m supposed to be interested in their plight? Nervous for them? 3^rd  – It is quite clear that the cenobites are a bunch of actors in-costume. I mean, make some attempt at making it seem real. Whether that be, more subtle make-up, or veiling the designs in darkness, smoke or filters, it should seem less prosthetic. You can see where layers were glued on, liquid-rubber latex was pulled and sections were painted. I’m surprised I didn’t see zippers and Velcro holding it all together.

Hellraiser had 8 sequels since the original film came out in 1987. Some of them barely even have Pinhead in them. But every one of them were better than this. Just a bad film all around. Even the big scene at the end is just rehashed ideas. Stay away. Of course this is just my opinion.

Tied with The Exorcist II for worst horror sequel ever!

I give it a 1.0 on the crusty crap scale of sucky sequels!

The Horror Movie Watcher… peeves part II

The Horror Movie Watcher… peeves part II
MORE things that annoy me:
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What’s in a name? part I –

The never ending sequel parade. Few sequels are as good as the original. Some franchises work well as a series of movies: Lord of the Rings, Harry Potter, James Bond, etc. Some do not, but that doesn’t stop Hollywood from riding the cash cow into the dirt. (Halloween, Wrong Turn, Pumpkinhead, Children of the Corn, Hellraiser, Friday the 13^th, Nightmare on Elm) Just say NO! to lousy sequels.

  
  

What’s in a name? part II –

The never ending remake parade. I can see doing a remake if a film was shot on a low budget, was in B&W, or is over 50 years old and can really benefit from an update. War of the Worlds, Ghost Ship, Willard, The Blob, and The Thing (1982), all benefited from remakes. Most movies do not. Some actually infuriated me: The Fog, Nightmare on Elm Street, The Haunting, Carnival of Souls, and Fright Night, are all unwatchable remakes. And, I won’t even mention Evil Dead 2013 again.

   

Tired old themes-

There are some film ideas that should be put to rest forever. Three Musketeers. Tarzan. Dick Tracy. Flash Gordon, Buck Rogers, Bonnie & Clyde to name a few. Early in film history, these were very popular subjects and each had several films of varying success on them. It is  – over – for these subjects. Every few years someone in Hollywood tries to resurrect these franchises. Adults would rather watch the old films and kids are not interested in these themes anymore – give ‘em up! (Although, I must say, I thought it was over for swashbuckling Pirate movies too and I was proved wrong). I would certainly put The Lone Ranger into this category. We will see if the star power of Johnny Depp can pull this tired old theme out of retirement.

       

QUESTION:
So, what tired, cliché, overused and abused themes and subjects do you think should be put to rest?