Top Television Horror Movies of the 1970’s – Top Honors!

***Top Television Horror Movies of the 1970’s***

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So which films take the top honors as the best TV horror flicks of the 1970’s?

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I’ve compiled results based upon my posts here on Parlor of Horror. Standing is directly related to Likes, Comments, and Views, I’ve gotten for the posts here. So without further fanfare, here are the Top TV Horror Movies of the 1970’s:

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10) The Norliss Tapes (1977) 16 likes, 1 comment
9) Dead of Night (1977) 16 likes, 7 comments
8) The Stone Tape (1972) 22 likes, 8 comments
7) The Night Stalker (1972)  19 likes, 12 comments
6) The Night Strangler (1973) 20 likes, 5 comments
5) The Gargoyles (1973) 21 likes, 11 comments
4) Don’t Be Afraid of the Dark (1972) 22 likes

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3) Salem’s Lot (1979) – 22 likes, 10 comments

 

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2) Duel (1972) 23 likes, 10 comments
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and here it is folks, the Top, #1, Television Horror Movie of the 1970’s!!!

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Trilogy of Terror (1975)

26 likes, 17 comments

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Congrats to Karen Black, Dan Curtis and Richard Matheson for making Trilogy of Terror the Top TV Horror Film of the 1970’s!! As chosen by Parlor of Horror and their followers. And thanks to all of you for your likes and comments which helped make the choice!

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didn’t make the cut: Someone’s Watching, Curse of the Black Widow, Summer of Fear, The Stranger Within.

However, its not too late to get your vote in…

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Dead of Night (1977) – movie review

***Top Television Horror Movies of the 1970’s***

Dead of Night (1977)

Directed by Dan Curtis
Written by Richard Matheson

Starring:
Ed Begley Jr.
E.J. André
Ann Doran
Patrick Macnee
Joan Hackett
Lee Montgomery
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Dan Curtis and Richard Matheson team up one more time in the 1970’s for an anthology, three fantastic tales to amaze, astound, and terrify the TV audience. The first story feels more like a Twilight Zone episode as a young man travels back in time in a 1926 automobile and accidentally effects his near future for the better. The next story has a successful estate owner in 1896 foster the town’s superstitions in order to capture his wife’s lover. The last tale, “Bobby,” follows a mother whose son had gone missing some months ago. It is assumed that he had drown when he was playing on the rocky cliffs near the beach. The woman is so distraught she uses a witchcraft ceremony to try and locate her little, Bobby. That night, during a raging storm, Bobby comes back, but he’s not quite the same. He has a nasty disposition and when the power goes out he torments his mother with several attempts on her life. There’s shades of Pet Sematary in this segment which is the best of the bunch. It has some moderate creepiness to it but its not going to scare your shorts off. As a whole this film doesn’t stand the test of time as well as some of the other made for TV horror flicks I’ve reviewed here.

The special features of the DVD includes an additional story/movie previously filmed for a TV pilot made in 1969, shortly after the success of Dark Shadows. Also named, Dead of Night, the series was never picked up by a network, but the pilot produced by Dan Curtis aired in 1969. It was quite melodramatic and not nearly as good as Dark Shadows or the later anthology, but leading man Kerwin Mathews playing a ghost hunter could have made for a nifty little series. It was definitely along the lines of The Night Stalker and The X-files. However it didn’t seem developed enough and I’m sure Curtis used lessons learned with this venture to perfect his vision for The Night Stalker.

Fun Facts:

Dead of Night was also the name of a 1945 horror anthology film, famous for being the first film using the horror anthology format. Dead of Night 1945 was a big influence on the co-founders of Amicus Films.

The segment “Bobby” was remade in the film, Trilogy of Terror II (1996)

Dead of Night 1969 movie

The Norliss Tapes (1973) – Movie review

***Top Television Horror Movies of the 1970’s***

The Norliss Tapes (1973)

Directed by Dan Curtis
Screenplay by William F. Nolan

Starring:
Roy Thinnes
Don Porter
Angie Dickinson
Claude Atkins

It would seem that NBC, seeing the success of The Night Stalker and the vehicle of using a pilot movie to launch a series, wanted in on the Horror movie action. They called upon the highly successful talent of Dan Curtis who enlisted William F Nolan for the script. What is produced is like an upper class version of The Night Stalker. It’s familiar ground, but somehow doesn’t feel derivative despite the similarities.

Author, David Norliss calls his publisher, Sanford, telling him he can’t write the book he was supposed to be working on for the past year. The book was supposed to be a exposé to debunk the supernatural. When David disappears, Sanford goes looking for him at his mountain home. He finds the place in disarray. The publisher sits at David’s desk and sees recorded journals about the research he did for the book. He puts a cassette tape into the player.

The taped narration leads into the tale about a woman whose husband died but doesn’t want to stay buried. Norliss investigates the first attack on the woman, Mrs. Cort, that leaves her dog dead and herself frightened. Soon there are more murders. The victims are found to be completely devoid of blood. Norliss speaks with several suspects gathering clues and a mystery unravels concerning an ancient Egyptian ring and a sculpture Mr. Cort had been working on before his death. This dead guy zombie/husband is seriously creepy as he attacks Mrs. Cort and Norliss again. The only drawback is he growls in a voice that reminded me of the ghoul in an episode of Scooby-Doo (the cartoon). Sheriff Hartley, (Claude Atkins) is the reluctant cop who doesn’t want details of the murders released to the public and doesn’t want Norliss interfering with the investigation. The tale escalates in classic Dan Curtis fashion. It ends with Norliss still narrating on tape and Sanford removing the tape as it stops. He then picks up another tape, one of many, presumably another story that would continue the series, as the credits begin.

It’s too bad this didn’t spawn a series, it would’ve been a nice addition to the legacy of Horror TV shows. Despite some drawbacks and similarities to the aforementioned films it was fun to watch. It doesn’t offer anything new or spectacular, but it was entertaining. It’s a quality horror film with exceptional acting and well worth a spin for fans of the other 70s horror flicks I’ve been reviewing.

 

 

Salem’s Lot (1979) – movie review

***Top Television Horror Movies of the 1970’s***

Salem’s Lot (1979)

Based on a short story by Stephen King
Directed by Tobe Hooper

Starring:
David Soul
James Mason
Lance Kerwin
Bonnie Bedelia
Lew Ayres

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By 1979, a TV movie written by Stephen King was big news. Add to that the film was directed by Tobe Hooper, the guy that made Texas Chainsaw Massacre, and you have piqued interest in the film. Even us High School kids were abuzz with talk of the coming night’s horror flick about vampires in a small town in Maine. The young boy vampire, floating at his friend’s window chilled a generation of TV watching young horror fans. Salem’s Lot took a familiar horror staple and made it seem new. It told the story in a new way and entertained multiple generations. Some kids watched it with their parents, some despite of their parents, but almost everyone from 15 to 25 stayed home those two nights to tune in. It also made a few of us (like me) think that writing books for a living could be interesting and exciting.

Author Ben Mears returns to his childhood town to write about an old rumored haunted house called the Marsten House. He finds it is occupied by new owners, mysterious in nature. Of course we all know Barlow is a vampire and his sidekick Straker is his cohort, protecting him in the daylight hours. As the town turns into vampire central, Ben, his love interest, Susan, and the boy, Mark, battle the vampire at the Martsen House. This film brings back the Nosferatu style vampire in Barlow with great success. The glowing eyes of Barlow and all that are turned to vampires are something that really stands out in this film.

I love the stunning main theme by Harry Sukman. Long loud horn blasts break between quieter notes in a push and pull sequence, then the theme jumps into a frantic eighth note pace reminiscent of the theme from Psycho with multiple key changes. Paul Monash wrote the screenplay after several writers attempted to with little success. King liked Paul’s script and was familiar with his work as he had adapted King’s novel, Carrie for film. The film is a little slow and quiet by today’s standards, but that makes the horrific parts all the more creepy.

Fun Facts:

The house was made to look like the description in the book by building a façade over the front of an existing home in Ferndale, CA.

Make up man, Jack Young invented the glowing eye contact lenses for the film. They could only be worn for 15 minutes at a time.

Unlike the novel, the Vampire Barlow does not speak a word in the Salem’s Lot movie/miniseries.

A shorter, edited version was released to theaters in Europe. This version, called Salem’s Lot, The Movie, was also released with Return to Salem’s Lot as a double feature home video. WB eventually released the original uncut version that was aired as the miniseries in 1979.