The Dead Room (2015) – movie review

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The Dead Room (2015)

directed by Jason Stutter

 

starring:
Jed Brophy
Jeffrey Thomas
Laura Petersen

 

This film is a real slow burn, but if you stick with it, it builds to a big payoff. Firm characterization has each actor playing a convincing role. The beginning reminds one of The Shining, where wide angle views treat the viewer to the beautiful landscapes of New Zealand. We wind down to a small claustrophobic domicile reminiscent of the cabin in Evil Dead. Three paranormal investigators are sent to the home which previous owners had fled. Their assignment is to prove to the insurance company either way, that it’s haunted and they should tear it down, or its not the-dead-room-2016-posterhaunted and they should peruse the previous owners for repayment. The team goes through the usual set up. Liam, the tech guru sets up cameras and scanners. Scott, the boss sets up a control center and mans his Mel meter, and Holly, is the sensitive and does psychic readings of the home. When they first arrive, she feels nothing in the home. Likewise, there are no readings on any equipment or movements breaking the motion sensors. They do an EVP session and get nothing. There is a definite reason for that which you will soon learn.

 

If you can take a ghost hunting session seriously and accept that ghost evidence would be at best subtle, then you will be able to enjoy this film. The first few nights we get nothing more than a swinging chandelier and an opening door. However, stay with the film and you will get more each night as the actions escalate and the entity eventually makes a clear attempt at taking a life. The ending has a big payoff and plot twist, worth the wait for any haunted house horror fan. Shades of The Legend of Hell House, and The Haunting are evident but not detracting from the film. The director gets the mood and atmosphere pinned down perfectly with the gloomy long hallway being the focus of the film. Nobody is going to be blown away by this film, but in the end, it’s entertaining. 

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Despite the slow start, If you like ghost stories and haunted house movies you will likely enjoy this film. 
I give it 3.5 ghastly ghoulies on the haunted harbinger of horror scale.

 

If you like; Legend of Hell House, The Awakening, The Haunting, The Innocents…

 

Bloopers: Look for the ending that was obviously filmed at a different time from the rest of the film as Petersen’s hair suddenly becomes 3 inches shorter.

 

Parlor of Horror, Horror movie reviews!

 

The Horror Movie Watcher… peeves part II

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The Horror Movie Watcher… peeves part IIlord of rings
MORE things that annoy me:
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What’s in a name? part I –

The never ending sequel parade. Few sequels are as good as the original. Some franchises work well as a series of movies: Lord of the Rings, Harry Potter, James Bond, etc. Some do not, but that doesn’t stop Hollywood from riding the cash cow into the dirt. (Halloween, Wrong Turn, Pumpkinhead, Children of the Corn, Hellraiser, Friday the 13th, Nightmare on Elm) Just say NO! to lousy sequels.

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pumpkinhead 4 wrong turn 5 halloween 5

What’s in a name? part II –

The never ending remake parade. I can see doing a remake if a film was shot on a low budget, was in B&W, or is over 50 years old and can really benefit from an update. War of the Worlds, Ghost Ship, Willard, The Blob, and The Thing (1982), all benefited from remakes. Most movies do not. Some actually infuriated me: The Fog, Nightmare on Elm Street, The Haunting, Carnival of Souls, and Fright Night, are all unwatchable remakes. And, I won’t even mention Evil Dead 2013 again.

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Tired old themes-

There are some film ideas that should be put to rest forever. Three Musketeers. Tarzan. Dick Tracy. Flash Gordon, Buck Rogers, Bonnie & Clyde to name a few. Early in film history, these were very popular subjects and each had several films of varying success on them. It is  – over – for these subjects. Every few years someone in Hollywood tries to resurrect these franchises. Adults would rather watch the old films and kids are not interested in these themes anymore – give ‘em up! (Although, I must say, I thought it was over for swashbuckling Pirate movies too and I was proved wrong). I would certainly put The Lone Ranger into this category. We will see if the star power of Johnny Depp can pull this tired old theme out of retirement.

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QUESTION:
So, what tired, cliché, overused and abused themes and subjects do you think should be put to rest?