The Woman In Black (2012) – movie review

 

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The Woman in Black  (2012)

 

Directed by James Watkins

Starring
Daniel Radcliffe
Ciarán Hinds
Janet McTeer
Liz White

For a Hammer film, I would expect no less than a gothic ghost-tale, taking place in a deserted mansion, in the countryside of England. Being a period piece only adds to the true Hammer experience of yesteryear. These were elements missing from the re-launched Hammer production’s previous films.

A young lawyer, Arthur Kipps, struggling to provide for his motherless son, is sent on a countryside journey to the estate property, known as the Eel Marsh House. After the passing of tThe Woman In Black posterhe last living relative, Alice Drablow, it is Mr. Kipps’ assignment to wade through the mountain of paperwork at the decrepit estate, in order for his firm to gain the rights to sell it. At the Estate, Mr. Kipps begins to hear strange noises which lead to the frequent sighting of the Woman in Black, a ghastly, dark presence that haunts the Eel Marsh House. In town, there are several deaths of children. Mr. Kipps begins to investigate a recurrence of child deaths throughout many years and their ties to the Eel Marsh House. The intriguing story unfolds in layers as the mystery is revealed.

 

Daniel Radcliffe plays the young lawyer, Arthur Kipps, wonderfully, sporting  old-English style side-burns, causing one to wholly forget his Harry Potter persona. Ciarán Hinds plays an outstanding supporting role as the local neighbor, Sam Daily, who, years earlier, lost his own son to tragedy.

The Eel Marsh House provides a fantastic setting, almost like a character itself; it sits upon an isolated hill that becomes surrounded by water during high tide. There is a small family graveyard on the property, which adds to the creepiness of the house and exudes the perfect atmosphere for sightings of the veiled, woman in woman in black radcliffeblack. The inside of the mansion is suitably run-down, genuinely old, and neglected, with cob-webs, worn edges and dimly lit areas for evil to hide. The cinematography in this film was exceptional, portraying the ugly-beauty of the age tattered estate.

The Woman in Black is a classic, old-fashioned ghost story. It’s a slow-burn with a small cast and low-key feel, self contained in the sparse community surrounding the estate. This is not the full-on, ‘Poltergeist’ style ghost film. The haunting is subtle; a noise, a toy turning on for no reason, a movement seen in the mirror, and movement in your peripheral vision.  It is the type of film that I have purchased on DVD for my own collection and watch it often around Halloween. If the new Hammer Films would make all of their movies in this style and not try to compete with Hollywood, I would be quite pleased.



parlor of horror – movie review

 

The Conjuring (2013) – movie review

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The Conjuring

In Harrisville, Rhode Island, a young couple with five children struggling to survive a weak economy got a great deal on a home and several acres of land. It was an opportunity they could not pass up. They would later regret it.

The Conjuring is the classic haunted house tale, a true story adapted for film under the direction of James Wan. It relays the harrowing events of the Perron family and what occurred in their country home during 1971. It also follows real-life paranormal investigators, Ed and Lorraine Warren, who throughout their lives have helped hundreds of families deal with supernatural occurrences.

The Conjuring delivers, jump scares, creepy scares, fun scares, and ‘think about it at 2: am’ scares – it has it all! The pacing was excellent, leaving time after each big scary scene for nervous laughter and regrouping before ramping up the tension again. There
were some intentionally funny parts, dark and oppressive atmosphere, and the kind of build-up needed for a supernatural film to be effective. At its climax the film escalated into a high-action fear-fest.

Some will say that aspects of the film could have been more in-depth. The investigation into the history of the land seemed truncated but nothing is worse during a ghost movie than watching the protagonist sit in a library looking at old newspapers on microfilm. The scene with the priest was equally short but the film is not about the priest, it is about the Warrens and the Perrons. So, while these scenes were obligatory they were kept to minimum length, which I think worked well for this film.

If you like supernatural horror, ghost stories, haunted house flicks, and a bit of spirit possession, you will likely enjoy this film. It is the most fun I have had with a haunted house film since Poltergeist.
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Recommended if you like:
Poltergeist, House, The Amityville Horror, Insidious, The Woman in Black, The Changeling,

Lorraine Warren was on set as a consultant, a testament to Wan’ s commitment in portraying the events as close to the real happenings as possible.

Lorraine even makes a Cameo appearance in the film during a lecture on supernatural occurrences.

***You can compare the movie with the real life happenings here: Reel Faces

**You can read about some of the Warren’s investigations here: The Warrens

**After many years of silence, the youngest Perron daughter penned a book, ‘House of Darkness House of Light’ in 2009 detailing the events that had taken place back in 1971. When asked why she waited all these years, she stated, “The world was not ready for a story like this back then.” Check out the book here: ‘House of Darkness House of Light’ 

The Awakening (2011) – Movie Review

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the-awakening-2011-movie-posterThe Awakening (2011) – Movie Review

In 1921, London, a young woman enters a parlor with a photo of someone close to her that has recently passed on. She, along with several other grieving families, is attending a séance. When the séance starts the young woman quickly sees the deceit and reveals the medium and her cohorts to be charlatans.

The woman is Florence Cathcart and she has traveled the countryside exposing fakes and frauds of ‘spiritual’ businesses in the wake of WW I. She has even written a book about it. No sooner does she arrive home when she is called upon by Robert Mallory, representing The Rookwood Boarding School. Mr. Mallory’s beliefs are in opposition to Florence. However, he was sent to request her assistance, to calm frightened children after the death of a student rumored to be caused by a ghost. He offers several photos as proof of a haunting.

Florence accepts the job at the school and seems to have quickly squashed the rumors with her sleuthing. She soon learns that she may have bit off more than she can chew as paranormal activities escalate with no clear scientific explanation to debunk them. There are some creepy scenes but what really drives the film is the character of Florence and her transformation during the film. The exceptional sound-crafting as noises echo through the immense estate combined with a classical score create a substantial dark atmosphere.

This film is wholly British in style and execution, delivering a classic ghost story, in a slow burn, period piece. The acting is superb; both Rebecca Hall and Dominic West (Florence & Robert) offer top-shelf portrayals. This was not a full-tilt Paranormal Activity style haunt but much more low key. The film is aligned with a more discerning viewer, who likes some serious drama. I would say The Awakening is along the lines of The Others, The Woman in Black and The Sixth Sense. It is not for everyone but I enjoyed it.

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