Body Bags (1993) – Movie review

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Body Bags (1993)

Directed by John Carpenter & Tobe Hooper

Starring:
Stacy Keach
David Warner
Sheena Easton
Debbie Harry
Mark Hamill
Twiggy
Robert Carradine

BB is a great little horror anthology by John Carpenter where he plays the host, a corpse in the morgue that finds different bodies of interest, and introduces the stories through their misfortunes. It was made for Showtime as a TV series jump off thus it had budget restrictions that limited effects to blood and violence. It first aired in 1993. The series never got the green light but the film still lives on.

A woman, Anne, comes in for the midnight shift at a self serve gas station. All she has to do is take money, charge credit cards, turn on pumps and…survive the night. Her first customer creeps up to the window slow and zombie-like while her back is turned, then scares the crap out of her by banging on the glass. Well, that customer is none other than, Wes Craven, in a surprise cameo. The next customer (David Naughton, American Werewolf…) uses his body bags 1993 - postercredit card then leaves without it. When Anne runs out to catch him, she accidentally locks herself out. The solitude and isolation of the lonely station begins to unnerve her. We have a homeless man come by for a bathroom key, (George Buck Flower, a familiar player in Carpenter films) then another car with yet another Carpenter regular, Peter Jason. After he leaves the woman retrieves the Men’s Room key only to discover there’s someone in the garage bay. She enters the garage and finds the homeless man murdered. A maniacal killer attacks her and she fights back in classic Carpenter cat and mouse suspense style.

In the next story, Richard (Stacey Keach), is going bald and feels bad about it despite his girlfriend, Megan (Sheena Eastonshe was a famous 80s singer) saying it‘s alright. He’s doing the Trump sweep over and spray, and trying a hundred products that don’t work. He sees an add on TV and calls the company about hair implants that carry a strange caveat. David Warner is the company CEO and we have the lovely Debbie Harry playing a Nurse in this episode. His grows hair like you wouldn’t believe. But the hair doesn’t stop growing. Turns out it’s a living organism. There’s a really disgusting part where he finds some growing in his throat. This segment is an ugly lesson in vanity.

The last one has Mark Hamill, (yes the Star Wars Luke Skywalker guy) as a minor league baseball player, who gets an eye transplant and takes on the characteristics of the organ doner. Turns out the organ donor was a sadistic serial killer. He begins getting migraine headaches and having terrible visions. There are some shocking visions of the dead victims crawling out of the dirt in his yard. He starts treating his wife badly and acting violent. This epi has a great gruesome ending.

This is a great addition to the horror anthology legacy. The stories are simple but effective making it a good watch. The fact that it had a lower budget and two of the segments were based on urban legends makes it more gritty than Creepshow or the HBO Tales From the Crypt series. For that reason it feels more relevant to modern horror tastes. An added enjoyment was picking up on the cameos as they appeared in the film

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Gritty, realistic style lets it stand up well to today’s horror flicks.
I give it 3.7 psycho slashers out of 5 on the blood soaked anthology of horror scale.

 

Fun Facts:

There’s also cameos in the film by Sam Raimi, Greg Nicotero, Roger Corman, Tom Arnold, Tobe Hooper, and John Agar.

In “The Gas Station” segment, look for the news report that tells of a dead body turning up in Haddonfield.

Clive Barker was asked to do a cameo but couldn’t make the shoot due to a conflicting schedule.

Salem’s Lot (1979) – movie review

***Top Television Horror Movies of the 1970’s***

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Salem’s Lot (1979)

Based on a short story by Stephen Kingtop 1970's TV horror - small
Directed by Tobe Hooper

Starring:
David Soul
James Mason
Lance Kerwin
Bonnie Bedelia
Lew Ayres


By 1979, a TV movie written by Stephen King was big news. Add to that the film was directed by Tobe Hooper, the guy that made Texas Chainsaw Massacre, and you have piqued interest in the film. Even us High School kids were abuzz with talk of the coming night’s horror flick about vampires in a small town in Maine. The young boy vampire, floating at his friend’s window chilled a generation of TV watching young horror fans. Salem’s Lot took a familiar horror staple and made it seem new. It told the story in a new way and entertained multiple generations. Some kids watched it with their parents,salems-lot-movie-poster-1979-1020420152 some despite of their parents, but almost everyone from 15 to 25 stayed home those two nights to tune in. It also made a few of us (like me) think that writing books for a living could be interesting and exciting.

Author Ben Mears returns to his childhood town to write about an old rumored haunted house called the Marsten House. He finds it is occupied by new owners, mysterious in nature. Of course we all know Barlow is a vampire and his sidekick Straker is his cohort, protecting him in the daylight hours. As the town turns into vampire central, Ben, his love interest, Susan, and the boy, Mark, battle the vampire at the Martsen House. This film brings back the Nosferatu style vampire in Barlow with great success. The glowing eyes of Barlow and all that are turned to vampires are something that really stands out in this film.

I love the stunning main theme by Harry Sukman. Long loud horn blasts break between quieter notes in a push and pull sequence, then the theme jumps into a frantic eighth note pace reminiscent of the theme from Psycho with multiple key changes. Paul Monash wrote the screenplay after several writers attempted to with little success. King liked Paul’s script and was familiar with his work as he had adapted King’s novel, Carrie for film. The film is a little slow and quiet by today’s standards, but that makes the horrific parts all the more creepy.

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Fun Facts:

The house was made to look like the description in the book by building a façade over the front of an existing home in Ferndale, CA.

Make up man, Jack Young invented the glowing eye contact lenses for the film. They could only be worn for 15 minutes at a time.

Unlike the novel, the Vampire Barlow does not speak a word in the Salem’s Lot movie/miniseries.

A shorter, edited version was released to theaters in Europe. This version, called Salem’s Lot, The Movie, was also released with Return to Salem’s Lot as a double feature home video. WB eventually released the original uncut version that was aired as the miniseries in 1979.