This review is part of Forgotten Films Blog, 1984 Blog-A-Thon which is covering just about every film released in 1984. When deciding to participate, I looked over the list and chose to review, The Philadelphia Experiment. I hadn’t seen the movie in many years, but I remember liking it. This would give me the perfect opportunity to revisit this film.
The Philadelphia Experiment (1984)
Directed by Stewart Raffill
produced by John Carpenter
Bobby Di Cicco
This sci-fi film concerns an urban legend about the US Navy experimenting with a cloaking device in 1943, and the mishap that arises from the ill-fated experiment. When the naval vessel, The USS Eldridge, goes completely invisible it actually travels in time. When it returned several minutes later, it is said that some of the crew members were fused into the bulkhead and deck of the ship itself. Some crew members came back inside-out and others experienced long term mental problems. It is also said, with a flash of light, the Eldridge was sighted in Northport Virginia, over 200 miles away from Philadelphia for those few minutes.
In the film, we follow two sailors, Dave and Jim, crew members on the Eldridge at the time of the experiment. They travel with the ship from 1943 and jump off in 1984, in a Nevada desert. They discover that the experiment was being revisited in 1984 and the new experiment interacted with the original creating a vortex or wormhole between the two time periods.
The sailors are immediately being chased by the modern military. They hide out in a dinner where they meet Allison (Dave’s love interest for the film). Not able to drive a modern car, they get Allison to drive and flee the scene with them. The military attempts to end the experiment but the vortex keeps getting bigger, threatening to suck towns and whole cities into the space hole. Eventually, the military needs David’s help in closing the vortex and he is sent into the maelstrom where he will shut down the generator on the Eldridge, therefore severing the link.
I must say, I liked this film better when I first saw it in the 1984 than I like it now. The problem is that this film is book ended with two interesting and gratifying sequences, but the middle is bogged down with the budding romance of Dave and Allison. Some of the dialogue is hokey, but to be expected from a film that is 30 years old. There are a few time warp discoveries for the two men and Allison, but they are nothing mind blowing for a film about time travel. Considering this was released the same year as Terminator, I think they could have infused something more paradox.
I do like that Nancy Allen’s character is named Allison Hayes, an homage to Attack of the 50 Foot Woman. The TV in the diner is showing Humanoids From the Deep which I reviewed just a few weeks ago. The TV in the Motel room plays part of Abbott and Costello Meet Frankenstein. We also see an Ad for a very early computer. The effects in the film are dated, even for 1984, but convey the story well enough. The biggest aspect in time travel discovery is the actual film itself. As the men from 1943 look strangely at Pay Telephones, Cars with Chrome Bumpers, and free-standing Arcade Games, I am reminded that my children would probably look at these items the same way today as our movie characters do in 1984.
Some of my disappointment with the film is that my memories got this mixed up with another film about the same subject matter, released around the same time called, The Final Countdown. TFC had better special-fx and because of that, I was waiting for scenes in The Philadelphia Experiment that never came.
All in all, it’s not a bad movie, perhaps just a little light on the sci-fi aspect for such a serious film subject.
I give it 3.3 wormholes out of 5 for vanishing vessels and valiant heroics.
The Tall Man poses the question, “How far would you go to save a child from a dismal fate?” In the small ex-mining town and surrounding areas of Cold Rock, Washington, children are disappearing. They are taken in the night by a dark figure – an urban legend called, The Tall Man. A local nurse, Julia (Jessica Biel), tries desperately to keep the townsfolk healthy despite the town’s failing economy and rampant alcoholism. She struggles for common sense with the townsfolk until one night, her young one, David, is kidnapped. She is hot on the trail of the culprit immediately upon his kidnapping, in some intense and high-action chase sequences. Short of revealing any spoilers, let me just say that what follows is a shocking plot twist that first reminded me of The Wicker Man, but turned out to be much different. This is a cleverly written and well-acted thriller by Pascal Laugier, director of Martyrs.